PORTFOLIO

TIYASHA

PLASTIC PROBLEM CONSULTANT| Dancer, Producer & TeacherLecturer & Presentor|

Research in Post-Consumer Plastics ProblemsDancer, Producer & Teacher|Lecturer & Presentor|

DUTTA PAUL

Interdisciplinary thinkingCritical analysisNarrative OptimiserCommunication & Education through Interactivity

tiyashaduttapaul@gmail.com

+44(0)7496208623

RETHINKING POST CONSUMER HOUSEHOLD PLASTIC WASTE POLLUTION

Designed interactive tool for primary school children identifying change processes for the improvement of post-consumer recycling

How to use this?

How to be a ....

This is an interactive PDF. It's full of buttons to listen, to see, and find out more about plastic problems, how to recycle and cool stuff happening out there! Make sure to play the quiz at the end!

FLEXIBLE

PLASTIC-WASTE SUPERHER

COMPOSTABLE

SEMI-HARD

But recycling isn't always simple!

Here's a chart to understanding common plastic types better

HARD

CONSOLIDATE LEARNING

SYSTEMS THINKING

DESIGN THINKER

CAPSTONE|VISUALCOMMUNICATION|STRATEGY|LIS

to see something

Click on this to show you which interactive buttons you can press on a page for more information. They will begin to pulse.

to read more about it

to play a video

This is the homepage. Come back to this page by clicking this button anytime.

this will take you to the sections page

Different types of plastic need to be disposed in a specific way. It is super confusing. But not super hard! Most plastics we see are made using fossil fuels. Some are made from organic material like corn starch and those are bio-based or bioplastics.

Helpful tip! Try to remove the sticker. It makes less work for people who go through your recycle to remove contaminants and more likely to get recycled.

The Unforgotten

Redesigned NGO website as part of assignment module using story-telling and design to lobby for better legal protections for India's Dalit population

Supporting Pitch

OPTIMIZATION|DESIGN|WRITING|LIS

DANCE|PRESENTOR|NHK

"a sign that Dutta Paul has arrived. She is a moth inside the tomb, all hair, sharp hands, fluttering feet: powerful and commanding, her face is obscured. She is animal energy, constrained by where she can and cannot dance, by what she can and cannot touch, her fingers tracing invisible signs on the wall, clawing at the ramp, body crooked and bent as a horn sounds and Alam brings her ululation to an end with a hand signal." - Deborah Nash, The Wire

DANCE|AAMRA|VIDEO|ARTNIGHTLONDON

click each icon for full access to essays.

• Aesthetic principles - Japanese ink painting - Zen Buddhism

• Aniconsism - Buddhist Art

ARTHISTORY|ESSAYS|SOAS