Casablanca
START
what are we studying?
This is a dual film study starting with Old Hollywood and Casablanca, and we'll be comparing it with New Hollywood and Do the Right Thing. The first thing we need to be familiar with therefore is what the Old Hollywood style was.
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What is the golden age of hollywood?
Historically the term Hollywood Studio System refers to the practice of large motion picture studios:(a) producing movies primarily on their own filmmaking lots with creative personnel under long-term contracts. So, who were these studios?
Next
What is the golden age of hollywood?
Their methods also allowed them to:(b) dominate exhibition through vertical integration, i.e., the ownership or effective control of distributors and exhibition, guaranteeing additional sales of films through manipulative booking techniques. By working like this, the studios had control of: • The production • The distribution (around the states and the world) • The exhibition (in the 2000 or so cinemas they owned)
Next
WW2 Timeline part 1
Next
WW2 Timeline part 2
Next
Casablanca timeline
Next
origins of the film - a visual presentation
The context of the film is really important therefore, and you'll get so much more out of it by appreciating these historical contextual links.
Intro to Casablanca
Iain Fox
Created on February 5, 2026
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Transcript
Casablanca
START
what are we studying?
This is a dual film study starting with Old Hollywood and Casablanca, and we'll be comparing it with New Hollywood and Do the Right Thing. The first thing we need to be familiar with therefore is what the Old Hollywood style was.
Next
What is the golden age of hollywood?
Historically the term Hollywood Studio System refers to the practice of large motion picture studios:(a) producing movies primarily on their own filmmaking lots with creative personnel under long-term contracts. So, who were these studios?
Next
What is the golden age of hollywood?
Their methods also allowed them to:(b) dominate exhibition through vertical integration, i.e., the ownership or effective control of distributors and exhibition, guaranteeing additional sales of films through manipulative booking techniques. By working like this, the studios had control of: • The production • The distribution (around the states and the world) • The exhibition (in the 2000 or so cinemas they owned)
Next
WW2 Timeline part 1
Next
WW2 Timeline part 2
Next
Casablanca timeline
Next
origins of the film - a visual presentation
The context of the film is really important therefore, and you'll get so much more out of it by appreciating these historical contextual links.