Application for Editor
For Musel 2026, 13th National Selection Conference of EYP Luxembourg
By Thalie GADIN (FR)
Meet me
Summary
Back to my introduction If I were a bird... My editing style as a movie genre My strengths in media My thoughts on the Musel 2026 theme How I would keep my team informed My portfolio Last words
My introduction
You can get back to my introduction by clicking this button :)
If I were a bird
If I were a bird, my feathers would mirror the soft, earthy palette of a barn owl: shades of white, brown, and grey blending seamlessly into my surroundings. The barn owl’s colours appeal to me because of their subtlety; at first glance, the bird seems almost invisible, perfectly camouflaged against the backdrop of trees and fields. Yet, when you look closer, intricate patterns and delicate textures emerge, hinting at a quiet complexity beneath the surface. I feel a connection to that complexity, especially in media where you need to be discreet and yet capture every moment while remaining your true self. For my first flight, I would choose a place where mountains meet the sea, such as the Pyrénées. This landscape, with its dramatic cliffs blending into the ocean, represents a powerful transition between two worlds. The meeting point of mountains and sea is a place of constant change, where land yields to water and both are shaped by wind and weather. It’s the perfect backdrop for a bird’s first leap into the unknown, echoing the transition from walking to flying, from the safety of the familiar to the exhilarating freedom of the sky, just like in media, where you need to try something first, make mistake, before feeling confident at it. This first flight is not just a physical act, but a symbol of embracing change, finding courage in vulnerability, and exploring the beauty that lies beyond our comfort zones. I aspire to that vision in everything I do in life, especially in media and art.
My editing style as a movie genre
If my approach to photography and videography were a genre, it would undoubtedly evoke the spirit of a Ghibli animated movie: a world where gentle magic suffuses the everyday and every frame is cherished. My shooting and editing style is gentle, never careless: adjustments are subtle and nearly invisible, yet deeply intentional. Like a scene displaying a life-changing event for the main character, my edits and camera movements enhance the story without ever drawing attention to themselves.The atmosphere always takes precedence over urgency. Every image and sequence should have room to breathe, allowing emotions and memories to linger. For that, you need to take the time to observe the scene before taking pictures. I don’t rush through moments; instead, I respect the natural rhythm of real life, letting important glances, quiet gestures, or shifting light remain in the frame simply because they matter to the heart of the story. Clarity emerges not just through technical perfection but through the authenticity of my subjects. Every adjustment, whether colour grading, cutting, or stabilising, serves to illuminate the character and emotion within the scene, not just to showcase technical prowess. My goal is always to capture the inner world of my subjects, ensuring that each frame reflects their unique story, while making it understandable for outside viewers. I want my team to value silence and stillness, leaving space for pauses, ambient sounds, and the small visual details that make a moment feel real and lived-in. Just as a Ghibli film lingers on a gently swaying field or a steaming cup of tea, I want them to preserve those fleeting instants that speak volumes through simplicity. In spirit, I am a storyteller who gently cleans the lens, never the view, ensuring the world is seen more clearly for what it is rather than what it should be portrayed as, who wants her team to reflect the true spirit of the session.
My strengths in media
If I had to describe my main strength, I’d say it’s the ability to bring stories to life at the crossroads of media and EYP. I love the challenge of taking complicated ideas, values, and discussions and turning them into visuals that are not just clear, but truly engaging and meaningful. There’s something incredible about making abstract concepts feel real and relatable: helping others see, in a single image or video, the heart of what we’re trying to express.Within EYP, I am particularly strong in understanding the broader political, cultural, and thematic context of a session and consistently reflecting it across visual outputs. In media work, my strengths are editing, structuring content, and tone awareness. I particularly enjoy working with videos, as they showcase the action while respecting the voice and identity of the session. I am detail-oriented and enjoy ensuring that the messageis not only accurate but also emotionally resonant and accessible to different audiences. I pay close attention to tone, structure, and wording, aiming to adapt content so it communicates complex ideas clearly while still engaging, being inclusive, and meaningful for people from diverse backgrounds and perspectives. Overall, the aspect of media work I enjoy the most is refining and curating content: taking something unfinished and turning it into a clear narrative that supports the session’s vision and helps participants feel connected to it, ensuring unforgettable memories.
My thoughts on the Musel 2026 theme
The Musel 2026 theme is especially compelling, using the Musel River as both a physical and symbolic anchor: a metaphor for connection, identity, and regeneration that transcends borders. The concept of “Where Rivers Meet, Europe Begins” envisions Europe as a living, an evolving entity shaped by collaboration, diversity, and constant renewal. Europe here is not static, but dynamic, much like the river itself, which links Luxembourg, Germany, and France. I particularly connect to this theme as I grew up in the Loire region, where the river shapes our lives.In the media team’s work, I would reflect this theme through storytelling rather than mere promotion. Media output should embody the session’s three pillars: connection and cooperation, identity and freedom, and regeneration. Connection and cooperation would appear in content highlighting collaboration, teamwork, cross-cultural dialogue, and iner team collaboration, mirroring the river’s role in uniting regions. Identity and freedom would be expressed by amplifying participant voices, personal stories, and diversity, allowing individuality and authenticity to coexist with a shared European narrative. Regeneration would guide a tone for the media output that is hopeful, forward-looking, and conscious of sustainability, while expressing personal development and constant improvement. Visually and narratively, the media team’s work should feel organic, warm, and grounded, inspired by the landscapes, heritage, and rhythms of the Musel region, and the EYP spirit, rather than overly polished or abstract. The aim is to create content that resonates authentically, fostering a sense of belonging and renewal.
How I would keep my team informed
To keep my team informed, motivated and up to date, I would prioritise clear structure, transparency, and trust-based communication. From the outset, I would make sure roles, expectations, and deadlines are clearly defined, using a single main channel for updates and shared documents so that everyone is on the same page.To keep the team motivated, it is important to regularly acknowledge contributions and create space for ideas and feedback. In a media team, motivation is fueled by a sense of ownership over the output and understanding how each person’s work contributes to the session’s broader vision, so representing every member’s work, whether they are EAs or MTMs, should be a priority in the output selection process. Early on, communication would be frequent and structured, helping the team build confidence and a shared understanding of the Musel 2026 vision through icebreakers and pre-session projects, ensuring each member is comfortable in the team and helping them finding their own definition of the vision. As the team settles, communication would become more flexible and organic, focusing on coordination rather than control. This shift encourages autonomy and adaptability as routines develop. Overall, my aim would be to foster a team culture reflecting Musel 2026 itself: connected, inclusive, and smoothly flowing, where everyone feels informed but not overwhelmed, and motivated by a shared sense of purpose.
My portfolio
You can get back to my portfolio by clicking this button :)
Last words
Thank you for taking the time to read my application ! I hope to hear from you soon :)You can contact me via: gadinthalie@gmail.com+33677128044 @noc_thalie
Application for Editor
noc_thalie
Created on January 17, 2026
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Transcript
Application for Editor
For Musel 2026, 13th National Selection Conference of EYP Luxembourg
By Thalie GADIN (FR)
Meet me
Summary
Back to my introduction If I were a bird... My editing style as a movie genre My strengths in media My thoughts on the Musel 2026 theme How I would keep my team informed My portfolio Last words
My introduction
You can get back to my introduction by clicking this button :)
If I were a bird
If I were a bird, my feathers would mirror the soft, earthy palette of a barn owl: shades of white, brown, and grey blending seamlessly into my surroundings. The barn owl’s colours appeal to me because of their subtlety; at first glance, the bird seems almost invisible, perfectly camouflaged against the backdrop of trees and fields. Yet, when you look closer, intricate patterns and delicate textures emerge, hinting at a quiet complexity beneath the surface. I feel a connection to that complexity, especially in media where you need to be discreet and yet capture every moment while remaining your true self. For my first flight, I would choose a place where mountains meet the sea, such as the Pyrénées. This landscape, with its dramatic cliffs blending into the ocean, represents a powerful transition between two worlds. The meeting point of mountains and sea is a place of constant change, where land yields to water and both are shaped by wind and weather. It’s the perfect backdrop for a bird’s first leap into the unknown, echoing the transition from walking to flying, from the safety of the familiar to the exhilarating freedom of the sky, just like in media, where you need to try something first, make mistake, before feeling confident at it. This first flight is not just a physical act, but a symbol of embracing change, finding courage in vulnerability, and exploring the beauty that lies beyond our comfort zones. I aspire to that vision in everything I do in life, especially in media and art.
My editing style as a movie genre
If my approach to photography and videography were a genre, it would undoubtedly evoke the spirit of a Ghibli animated movie: a world where gentle magic suffuses the everyday and every frame is cherished. My shooting and editing style is gentle, never careless: adjustments are subtle and nearly invisible, yet deeply intentional. Like a scene displaying a life-changing event for the main character, my edits and camera movements enhance the story without ever drawing attention to themselves.The atmosphere always takes precedence over urgency. Every image and sequence should have room to breathe, allowing emotions and memories to linger. For that, you need to take the time to observe the scene before taking pictures. I don’t rush through moments; instead, I respect the natural rhythm of real life, letting important glances, quiet gestures, or shifting light remain in the frame simply because they matter to the heart of the story. Clarity emerges not just through technical perfection but through the authenticity of my subjects. Every adjustment, whether colour grading, cutting, or stabilising, serves to illuminate the character and emotion within the scene, not just to showcase technical prowess. My goal is always to capture the inner world of my subjects, ensuring that each frame reflects their unique story, while making it understandable for outside viewers. I want my team to value silence and stillness, leaving space for pauses, ambient sounds, and the small visual details that make a moment feel real and lived-in. Just as a Ghibli film lingers on a gently swaying field or a steaming cup of tea, I want them to preserve those fleeting instants that speak volumes through simplicity. In spirit, I am a storyteller who gently cleans the lens, never the view, ensuring the world is seen more clearly for what it is rather than what it should be portrayed as, who wants her team to reflect the true spirit of the session.
My strengths in media
If I had to describe my main strength, I’d say it’s the ability to bring stories to life at the crossroads of media and EYP. I love the challenge of taking complicated ideas, values, and discussions and turning them into visuals that are not just clear, but truly engaging and meaningful. There’s something incredible about making abstract concepts feel real and relatable: helping others see, in a single image or video, the heart of what we’re trying to express.Within EYP, I am particularly strong in understanding the broader political, cultural, and thematic context of a session and consistently reflecting it across visual outputs. In media work, my strengths are editing, structuring content, and tone awareness. I particularly enjoy working with videos, as they showcase the action while respecting the voice and identity of the session. I am detail-oriented and enjoy ensuring that the messageis not only accurate but also emotionally resonant and accessible to different audiences. I pay close attention to tone, structure, and wording, aiming to adapt content so it communicates complex ideas clearly while still engaging, being inclusive, and meaningful for people from diverse backgrounds and perspectives. Overall, the aspect of media work I enjoy the most is refining and curating content: taking something unfinished and turning it into a clear narrative that supports the session’s vision and helps participants feel connected to it, ensuring unforgettable memories.
My thoughts on the Musel 2026 theme
The Musel 2026 theme is especially compelling, using the Musel River as both a physical and symbolic anchor: a metaphor for connection, identity, and regeneration that transcends borders. The concept of “Where Rivers Meet, Europe Begins” envisions Europe as a living, an evolving entity shaped by collaboration, diversity, and constant renewal. Europe here is not static, but dynamic, much like the river itself, which links Luxembourg, Germany, and France. I particularly connect to this theme as I grew up in the Loire region, where the river shapes our lives.In the media team’s work, I would reflect this theme through storytelling rather than mere promotion. Media output should embody the session’s three pillars: connection and cooperation, identity and freedom, and regeneration. Connection and cooperation would appear in content highlighting collaboration, teamwork, cross-cultural dialogue, and iner team collaboration, mirroring the river’s role in uniting regions. Identity and freedom would be expressed by amplifying participant voices, personal stories, and diversity, allowing individuality and authenticity to coexist with a shared European narrative. Regeneration would guide a tone for the media output that is hopeful, forward-looking, and conscious of sustainability, while expressing personal development and constant improvement. Visually and narratively, the media team’s work should feel organic, warm, and grounded, inspired by the landscapes, heritage, and rhythms of the Musel region, and the EYP spirit, rather than overly polished or abstract. The aim is to create content that resonates authentically, fostering a sense of belonging and renewal.
How I would keep my team informed
To keep my team informed, motivated and up to date, I would prioritise clear structure, transparency, and trust-based communication. From the outset, I would make sure roles, expectations, and deadlines are clearly defined, using a single main channel for updates and shared documents so that everyone is on the same page.To keep the team motivated, it is important to regularly acknowledge contributions and create space for ideas and feedback. In a media team, motivation is fueled by a sense of ownership over the output and understanding how each person’s work contributes to the session’s broader vision, so representing every member’s work, whether they are EAs or MTMs, should be a priority in the output selection process. Early on, communication would be frequent and structured, helping the team build confidence and a shared understanding of the Musel 2026 vision through icebreakers and pre-session projects, ensuring each member is comfortable in the team and helping them finding their own definition of the vision. As the team settles, communication would become more flexible and organic, focusing on coordination rather than control. This shift encourages autonomy and adaptability as routines develop. Overall, my aim would be to foster a team culture reflecting Musel 2026 itself: connected, inclusive, and smoothly flowing, where everyone feels informed but not overwhelmed, and motivated by a shared sense of purpose.
My portfolio
You can get back to my portfolio by clicking this button :)
Last words
Thank you for taking the time to read my application ! I hope to hear from you soon :)You can contact me via: gadinthalie@gmail.com+33677128044 @noc_thalie