EXAMPLES IN ART
1. Leonardo da Vinci – The Last Supper (1495–1498) Used linear perspective to create realistic depth in a flat painting. All lines lead to a single vanishing point behind Jesus, drawing your eye to the center. 2. M.C. Escher – Relativity (1953) Played with impossible spaces and optical illusions. His use of perspective tricks the viewer’s brain, making space feel infinite and confusing in a fun way. 3. Georgia O’Keeffe – Cow’s Skull: Red, White, and Blue (1931) Used negative space to isolate her subject and create balance. The open background emphasizes the form and makes it feel powerful and still. 4. David Hockney – A Bigger Grand Canyon (1998) Explores multiple viewpoints and overlapping perspectives. Uses color and shape to build vast, layered space rather than realistic depth. 5. Julie Mehretu – Stadia II (2004) Creates complex, energetic spaces using layers of maps, lines, and architecture. Space becomes abstract — full of movement, energy, and chaos.
SPACE
Jason Polston
Created on October 5, 2025
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Transcript
EXAMPLES IN ART
1. Leonardo da Vinci – The Last Supper (1495–1498) Used linear perspective to create realistic depth in a flat painting. All lines lead to a single vanishing point behind Jesus, drawing your eye to the center. 2. M.C. Escher – Relativity (1953) Played with impossible spaces and optical illusions. His use of perspective tricks the viewer’s brain, making space feel infinite and confusing in a fun way. 3. Georgia O’Keeffe – Cow’s Skull: Red, White, and Blue (1931) Used negative space to isolate her subject and create balance. The open background emphasizes the form and makes it feel powerful and still. 4. David Hockney – A Bigger Grand Canyon (1998) Explores multiple viewpoints and overlapping perspectives. Uses color and shape to build vast, layered space rather than realistic depth. 5. Julie Mehretu – Stadia II (2004) Creates complex, energetic spaces using layers of maps, lines, and architecture. Space becomes abstract — full of movement, energy, and chaos.