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Experiencing the OSM for the First Time
Interactive Guide for Beginners
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Introduction
Make your first concert unforgettable
Through this guide, explore the many sides of the Orchestre symphonique de Montréal and the rich world of symphonic music.
Start
Experience
OSM
What to do—and not do—during the concert.
During the concert
What to do when you arrive at the OSM before the concert begins.
How to choose your concert and access your tickets.
Choosing your concert
Arriving at the OSM
Discover what the OSM is all about.
Discover the OSM
Choosing your concert
With more than 80 concerts each year, the OSM offers something for everyone. Here are some key elements to consider when choosing a concert.
Repertoire
Duration
Artists
Venue
Schedule
Price
Your classics, your musical scale!
Whatever your interests, there is an OSM concert for you. Explore a diverse lineup that includes everything from the great classical repertoire to “Concerts éclatés,” as well as happy-hour and family-friendly performances.
Choosing your seat
Virtual tour
Budget
Even vs. odd
Sound quality
Close vs. far
Aisle seats
Choir section
Mobility assistance
Booking your tickets
There are several convenient ways to book your tickets.
Online
In person
Purchase confirmation
By phone
https://www.osm.ca/fr/accessibilite-et-services-adaptes/ Photo: OSMOSE
Your tickets
If you lose your ticket, simply contact our customer service team. We will send you a new one, which will be the only valid ticket for entry. Something came up? You can exchange your tickets for another concert during the current season. All you have to do is contact customer service at least 24 hours before your scheduled concert time. There is a $10 fee per ticket (plus taxes), but this fee is waived for subscribers and OSM Card holders.
When you arrive, please have your ticket ready with the barcode visible for our welcome staff to scan at the entrance.
OSM subscriptions
OSM subscribers get the best seats, the best prices, and a host of subscriber-only benefits!
Best price
Exclusive presales
As a subscriber, you will have access to exclusive presale periods.
Get 25% off each ticket when you buy 4 or more concerts.
Flexibility
35 and under
Choose 4 or more concerts and get our best rate of $26 per concert. This offer is available for seats in price categories 2 through 5.
You can exchange your tickets at no charge up to 24 hours before your concert.
Arriving at the OSM
You can access the Maison symphonique de Montréal through its main entrance located at 1600 Saint-Urbain Street. You can also enter through the main doors of Place des Arts (175 Sainte-Catherine Street), or directly from the Place des Arts metro station.
Your tickets
If you lose your ticket, simply contact our customer service team. We will send you a new one, which will be the only valid ticket for entry. Something came up? You can exchange your tickets for another concert during the current season. All you have to do is contact customer service at least 24 hours before your scheduled concert time. There is a $10 fee per ticket (plus taxes), but this fee is waived for subscribers and OSM Card holders.
When you arrive, please have your ticket ready with the barcode visible for our welcome staff to scan at the entrance.
Don’t worry about a dress code—that’s only for the musicians!
Dress code
Smart or casual? This is your concert night out, so dress in your own style, as it pleases you!
Coat check The Maison symphonique offers a coat check service from November through April. You can store personal belongings (coats, jackets, umbrellas, etc.) at a cost of $3 per person.
For safety purposes, we can only allow bags in the concert hall that will easily fit under seats.
Foyers of the Maison symphonique
Upon your arrival at the OSM, you will be welcomed in the foyers on the 4 levels of the Maison symphonique (parterre, corbeille, mezzanine, and balcony).
Foyer doors generally open an hour before concerts begin. You can proceed to your seat only after concert hall doors open, 30 minutes before your concert begins.
Bars
Luxuriate in the ambiance of Maison symphonique’s bars located in the foyers at the Parterre, Corbeille, and Balcony levels. Enjoy a drink before your concert or during intermission!
Our bars offer a selection of wines, cocktails, spirits, soft drinks, bottled water, juice, and coffee, as well as snack items.
We recommend you arrive early, as it is not permitted to drink or eat inside the concert hall.
Discover the Symphonic Pilsner, the official beer of the OSM!
Tous les étages de la Maison symphonique, à l’exception de la Mezzanine, disposent d’une salle de toilettes accessible aux personnes en fauteuil roulant.
Tous les lavabos et fontaines sont adaptés à l’usage des personnes en fauteuil roulant.
Les toilettes des femmes sont situées du côté impair (ouest) et celles des hommes du côté pair (est) de la salle.
À noter que la Maison symphonique n’est pas équipée de salles de toilettes individuelles ou non genrées.
Washrooms
All floors of the Maison symphonique except for the Mezzanine are furnished with wheelchair-accessible washrooms.
All sinks and fountains are adapted for wheelchair users.
Women’s washrooms are located on the odd numbered (west) side and men’s washrooms on the even numbered (east) side of the concert hall.
Please note that the Maison symphonique is not furnished with individual or gender-neutral bathrooms.
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Lecteur d'écran
Accessibility
Discover our dedicated services, tailor-made to meet your specific needs.
Mobility assistance
Guide dogs
Support programs
Assistive hearing
Booster seats for children
https://www.osm.ca/fr/accessibilite-et-services-adaptes/ Photo: OSMOSE
Extra-concert activities
We offer a variety of pre-concert activities throughout the season to enrich and enhance your experience beyond the performance itself.
Listening Clubs
Talks
Symphonic Repertoire 101
Virtual reality
Before the music starts
Lights dimmed
Spoken welcome
Soloist and conductor’s entrance
Concertmaster’s entrance
Tuning
What about encores?
Photo Mélanie : R:\Multimédia\Saison 2024-2025\0001_Photos\2024-09-11_Concert Ouverture Gurre-Lieder©AntoineSaito\OS240911sel
Concert etiquette
For a truly immersive musical experience, please keep these concert guidelines in mind.
Cellphone use
Latecomers
Please refrain from taking photos or videos during the concert to avoid distracting those around you.
Love your phone?
If you arrive after the concert has begun, you may be asked to wait at the back of the hall until an usher can escort you to your seat at an appropriate moment.
Arriving late?
Noises
Exiting
The hall’s acoustics are excellent, which means even small sounds can be heard. Please do not talk or make noise during the performance.
Truly exceptional acoustics!
If you need to leave during the concert, please do so as discreetly as possible to avoid disturbing other audience members.
Need to step out during the concert?
Many senses will be engaged during the concert…
Making the most of your first concert
Observe
Attending a concert for the first time can seem intimidating. With so many instruments on stage and sounds overlapping, where do you even begin? By keeping these tips in mind, you will be well prepared to enjoy your first concert to the fullest.
Listen
Feel
Things to look for during the concert
The musicians
The Maison symphonique
The conductor
Things to listen for during the concert
The language of music
The musicians’ mastery
Melodies and solos
Things to feel during the concert
Music and emotions
Be receptive
Let your imagination soar
About the Maison symphonique
The OSM’s home is the Maison symphonique, which was inaugurated on September 7, 2011, with a concert conducted by Kent Nagano. The hall has several unique features that make it one of a kind.
Intermission and concert duration
Intermission
Some concerts include a 20-minute intermission. You can find out if a concert has an intermission by checking the concert program or its webpage.
Concert duration
OSM concerts generally last between 90 and 150 minutes. The estimated duration of each concert is listed on its online page and in the program.
Happy Symphonic Hour
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When to applaud
Don’t applaud while the conductor’s baton is still in the air. Wait for others to start applauding before you do. If you applaud by mistake, don’t worry—it happens! The performance will continue after the applause.
Pauses between movements are an important part of the music itself, so hold your applause until the very end of the work. To help you follow the movements of the different pieces, you can refer to the program notes.
Let your applause set the tone when the concertmaster and the conductor step onto the stage (usually separately).
Stage entrance
Between complete works
Pro tips
Once the concert is over
After the concert ends, you can expect a high volume of foot traffic in the foyers, stairways, and elevators. You are welcome to linger in the concert hall a few minutes afterwards if you wish to exit the premises in quieter, less crowded surroundings.
As part of our sustainability efforts, various collection bins are provided in which to dispose of your program booklet. The booklets are collected and redistributed to audiences of subsequent performances.
To learn more about the OSM
The mission, history, and role of the OSM in the community
The myths of classical music
The Maison symphonique and the Espace OSM
The OSM playlist
Follow us
The Maison symphonique
The Maison symphonique, home to the OSM, was inaugurated on September 7, 2011. The Orchestra, conducted by Kent Nagano, performed Beethoven’s Ninth Symphony, as well as works from Quebec. Since then, the hall’s exceptional acoustics have been acclaimed by the international music community, bringing pride to Montreal and attracting conductors and artists from all over the world.
Did you know?
The Espace OSM
Right next to the Maison symphonique, the Espace OSM hosts free events.
You will find exhibitions, interactive and digital projects, listening clubs, talks, and even a dedicated listening area. One wall of this space is also devoted to the OSM's journey, telling the story of the Orchestre symphonique de Montréal decade by decade.
Virtual reality
Concert myths: true or false?
Not necessarily. The “best” seat is a matter of personal preference. Some concertgoers like to be close to the stage, while others prefer the wider perspective from higher up.
False! The impact of live music speaks for itself. You may even be surprised at how many melodies you already recognize from films, television, video games, or popular songs.
Not at all. Symphonic music draws people from every walk of life, and the OSM’s audience reflects that diversity. Everyone is welcome—whether in evening wear or something more casual.
You need to know classical music to enjoy a concert.
The more expensive the ticket, the better the seat.
You need to dress up to attend a concert.
False! Classical music varies enormously from one era to another, and even among composers of the same period. There is something for every taste—just like in popular music.
False! While it can be relaxing, classical music was composed to stir emotions and captivate listeners, sometimes even pushing boundaries with daring and innovative ideas.
While many pieces were written centuries ago, composers around the world—including Canadians—continue to create new works today.
Classical music is just background music.
All classical music sounds the same.
Classical music is just old music.
The OSM’s mission
As a world-class artistic organization, the Orchestre symphonique de Montréal is dedicated to bringing the world’s symphonic repertoire and internationally acclaimed artists to the widest possible audience. True to our social and institutional role, we actively foster the development of symphonic and classical music in all its forms. With a spirit of professionalism, we are committed to innovation and excellence.
History of the OSM
The OSM’s excellence and vision have been fashioned over the years by its music directors: Montreal-born Wilfrid Pelletier, first Artistic Director; Zubin Mehta, with whom the OSM gave its first concerts in Europe; Kent Nagano, who inaugurated the Maison symphonique, launched La Virée classique and established La musique aux enfants; and since 2022, Rafael Payare, whose passion and determination led to the creation of the El Sistema OSM program in 2024. Here are some of the defining milestones from the orchestra’s first two decades:
1940
1954
1962
1934
1935
Concert program of the OSM’s first concert
The OSM in the community
The OSM is proud to engage with our community through bold, innovative collaborations with partners across the cultural, educational, and community sectors. Through our inclusive programming that fosters social integration, we invite all Quebecers to share in the excitement and energy of music. Here are a few examples—click on the photos to learn more!
Rafael Payare
OSM Musical Director
With his innate musicianship, charismatic energy, gift for communication, and irresistibly joyous spirit, Venezuelan conductor Rafael Payare is “electrifying in front of an orchestra” (Los Angeles Times). The 2024-25 season marks his third as Music Director of Canada’s Orchestre symphonique de Montréal (Montreal Symphony Orchestra/OSM) and his sixth as Music Director of California’s San Diego Symphony (SDS). Other current positions are Principal Conductor of Virginia’s Castleton Festival, a post he has held since 2015, and Conductor Laureate of Northern Ireland’s Ulster Orchestra, where he was Principal Conductor and Music Director from 2014 to 2019, making multiple appearances at London’s BBC Proms. Born in Barcelona, Venezuela, in 1980, Payare first discovered classical music at the age of 14, when he began playing horn in the El Sistema program. During the 2022–2023 season, he became the 9th Music Director in the history of the OSM.
Crédit Photo : Gabriel Fournier
Andrew Wan
Concertmaster
Andrew Wan studied with Masao Kawasaki and Ronald Copes at the Juilliard School. As a soloist, he has performed throughout the world under conductors including Vengerov, Petrenko, Labadie, Rizzi, Oundjian, Stern and DePreist.
Learn more about Andrew Wan
Joined the OSM in: 2008 Hometown: Edmonton Favourite composers: Schubert, Ravel Favourite works: Schubert’s piano trios If you hadn’t chosen to become a musician, you would be: A teacher or hockey blogger
Franz Schubert
Model of instrument
Bergonzi violin, 1744, generously loaned by philanthropist David B. Sela; Dominique Peccatte bow, 1860, generously loaned by Canimex.
Maurice Ravel
OSM playlist
Discover the OSM with this playlist inspired by our very first concert on January 14, 1935! For more playlists, check out our Spotify page.
Customer service
We’re here to help! If you have any questions or want to find out more about the OSM, please don’t hesitate to contact us.
Service in person
1600 Saint-Urbain Street
Montréal (Québec) H2X 0S1
Open from Tuesday to Thursday (10H00 to 17H00), and also on concert days
Telephone: 514 842-9951
Toll-Free Number: 1 888 842-9951
Telephone service
info@osm.ca
Monday to Thursday: 10 am to 7 pm
Friday: 10 am to 2 pm Saturday, Sunday and public holidays: closed
Follow us!
The Orchestre symphonique de Montréal has developed several virtual reality experiences, including Partitura! In this immersive virtual experience, discover the role of a conductor and explore the language of classical music — with a string orchestra made up of OSM musicians right in front of you.
Guide dogs
Certified guide and assistance dogs are welcome at our concerts. Just let us know when you make your purchase and we’ll recommend a seat with the right space.
Discover the Symphonic Pilsner, the beer inspired by the OSM that combines virtuosity and brewing expertise. Available at the bars of the Maison symphonique on concert nights.
Symphonic Repertoire 101
In this pre-concert format, you’re invited to better understand the various currents of classical music, including styles, forms, and composers from the symphonic repertoire.Check if this activity is available for the concert you're interested on the OSM website.
The OSM: A rich history
As early as November 1935, the OSM began engaging with children through the creation of Youth Matinees — an innovation for the time that was later adopted by the New York Philharmonic and remains a tradition at the OSM to this day.
The musicians
The musicians are grouped by instrument families—strings, woodwinds, brass, and percussion—and each section has a vital role in creating the overall sound. By observing them closely, you will notice their intense concentration, synchronized movements, and even knowing glances or smiles.
Through their expressions, body language, and breathing, the musicians communicate emotions and musical intentions to one another.
The OSM: A rich history
On November 16, 1934, Provincial Secretary of Quebec Athanase David announced the creation of the Société des concerts symphoniques de Montréal (CSM), an orchestra serving the province’s French-Canadian public.
Melodies and solos
The melody is the main tune you will likely be humming on the way home. Sometimes simple and lyrical, other times virtuosic, the melody might be carried by the violins, woodwinds, a solo trumpet, or even a subtle line on the English horn. Also, keep an ear out for the solos: these are special moments when one musician takes the spotlight. This is a great chance to focus on and appreciate the unique sound of a single instrument.
Ravel’s Boléro features one of the most famous melodies in all symphonic music. In this video, you can hear it played by the whole orchestra and supported by the rhythm section.
The octobass is the largest and lowest-pitched string instrument, so big that its notes are on the very edge of what the human ear can perceive. Standing 3.6 metres tall and weighing 290 pounds, it requires the musician to use a small step stool and a system of levers and pedals (or a keyboard, depending on the instrument) to play it. The OSM is the only orchestra in the world that owns three of these rare instruments.
Une chanson à l'école
Since 2021, the OSM has teamed up with Culture pour tous for the “Une chanson à l’école” project. To kick off the Journées de la culture each year, elementary and high school students from Quebec and French-speaking Canada join together to sing an original song specially composed by a renowned Francophone artist, accompanied by the OSM.
Every year, hundreds of thousands of young people unite their voices in song.
Aisle seats
Aisle seats give you a bit more space and make it quicker to leave the hall. However, some people prefer sitting in the middle of a row to avoid having to stand up and let others pass.
Occasionally, a speech or special host is featured at the beginning of certain concerts.
A large-scale masterpiece where the orchestral prowess will blow your mind.
To discover the Grandiose concerts of the current season, click here!
Booster seats for children
The coat check has a moderate supply of children’s booster seats that audiences can borrow free of charge in exchange for valid ID.
Schedule
Concert times vary. Most performances are in the evening, but some take place in the morning. We also offer a few afternoon concerts on select weekends.
El Sistema OSM
The El Sistema OSM program brings musical education to children and teens aged 6 to 16 in Montreal North. Run by the organization “La m20 usique aux enfants,” it offers free after-school sessions four days a week, giving students the chance to learn and play orchestral instruments together in a collaborative group setting.
Participants in the program have the opportunity to work directly with OSM Music Director Rafael Payare and the orchestra’s musicians. They also visit the Maison symphonique to attend dress rehearsals and take part in special OSM events.
Purchase confirmation
After your purchase, you will receive three emails:
- a detailed order confirmation,
- an email to help you prepare for the concert,
- and your electronic tickets (if you selected that option).
Free grand concert at the Olympic Park’s Esplanade
Every summer since its first edition in 2012, the OSM has hosted a free concert at the Olympic Park’s Esplanade. These concerts are a wonderful tradition that draws thousands of spectators, filling an iconic Montreal landmark with the power of music.
What about encores?
In response to enthusiastic applause, the musicians may play an additional, unannounced work. This piece is not part of the program—it’s a bonus! Encores are usually performed when a guest soloist is featured.
Mobility assistance
Adapted seating for wheelchair users is available at all our concerts. Some seats at the Maison symphonique are wider or feature extra front leg room.
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Choir section
For select performances, you can sit in the choir section, located behind and on the sides of the stage. This offers a slightly different experience, placing you behind the musicians for an up-close view of their performance.
The language of music
Music is always changing: it speeds up, slows down, gets loud or soft, and shifts from joyful to dramatic. These changes are what bring a piece to life. Try to listen for these shifts: when the orchestra begins to whisper, or when it explodes into a brilliant tutti. The tempo (speed), dynamics (variations in volume), and character (colour and emotion) of the music are all used by the conductor and musicians to tell a story without words.
Price
Ticket prices differ based on both your seating choice and the type of concert. For example, Happy Symphonic Hour concerts are typically less expensive than standard evening performances.
La Rencontre du siècle
On April 2, 2009, the OSM joined a grand celebration at the Bell Centre for the 100th anniversary of the Montreal Canadiens. We accompanied various artists throughout the evening and closed the show with a memorable performance of Beethoven’s “Ode to Joy,” alongside more than 1,000 choristers and 4 international soloists: Measha Brueggergosman, Susan Platts, Gordon Gietz, and John Relyea.
L'OSM offre également des récitals en pré-concerts! Profitez de moments musicaux d’exception en saisissant l’occasion d’écouter des instrumentistes de l’OSM et de la relève se produire dans des formats intimes de musique de chambre.
Tuning
The first oboe will play a concert A, and all the musicians will tune their instruments to that note. You will first hear the wind instruments tune, followed by the strings, in a process you will hear at every concert. It sounds something like this:
Espace Apéro
Profitez de notre Espace Apéro pour déguster un plateau de bouchées.
Service offert avec ou sans réservation.
La réservation est disponible par un formulaire présent dans les courriels reçus après l’achat et quelques jours avant le concert.
Repertoire
Classical music includes a broad array of styles and compositions. To make your choice easier, the OSM’s “musical scale” offers a visual representation of the orchestra’s concert styles (see next page).
Soloist and conductor’s entrance
The soloists (if any) and the conductor are the last to come onto the stage. Their entrance is met with applause and signals the start of the performance.
Timeless classic from the repertoire to stir the deepest emotions.
To discover the Poetic concerts of the current season, click here!
Concertmaster’s entrance
The first person to officially walk on stage is the concertmaster (principal violin), Andrew Wan, or his substitute, who is usually greeted with applause. For some performances, the concertmaster may already be on stage at the start of the concert for staging purposes.
Classical repertoire concert in a casual and quick 60-minute format.
To discover the Happy Hour concerts of the current season, click here!
Virtual reality
Immerse yourself in the world of classical music with virtual reality experiences. Explore the inner workings of classical music in an unprecedented way, helping you to demystify its language and experience the symphonic world from the inside.Check if this activity is available for the concert you're interested on the OSM website.
Spoken welcome
A voice-over will then welcome the audience and provide a few instructions. The message may vary from one concert to another, so it is best to listen carefully every time.
Unexpected pairings of your favorite popular artists and orchestral music.
To discover the POP concerts of the current season, click here!
By phone
Speak with a customer service representative who can assist you with your booking and answer any questions you may have.
Opening hours
Assistive hearing
To ensure a great listening experience for all, the Maison symphonique offers various hearing assistance options. Our welcome staff will be happy to help you get connected with the tools provided.
Please contact us for more information.By telephone: 514 840-7914 By email:
accessibilite@osm.ca
Concert with unique theme, surprises and a festive atmosphere.
To discover the Éclaté concerts of the current season, click here!
Duration
The OSM offers concerts in different formats and lengths, such as the shorter, more intimate Happy Symphonic Hour series. To help with your travel planning, the estimated duration of each performance is available on the concert’s dedicated webpage.
In person
Visit our box office. A customer service representative will be happy to answer your questions and can provide you with your physical tickets right away.
Opening hours
The OSM: A rich history
In May 1962, the OSM embarked on its first tour, marking the first European tour by a Canadian orchestra. The ensemble achieved resounding success with celebrated performances in Moscow, Leningrad (now Saint Petersburg), Kyiv, Vienna, and Paris, conducted by Zubin Mehta and Jacques Beaudry.
Talks
These pre-concert discussions demystify the world of classical music. Performers and professionals from the field offer insights into their work and share their perspectives on the many facets of classical music.Check if this activity is available for the concert you're interested on the OSM website.
The concertmaster
The concertmaster, or principal violinist, plays a pivotal role in the orchestra. Here are their main responsibilities:
Link to the conductor: They convey the conductor’s intentions to the string section to ensure the ensemble performs cohesively.
They are usually the last person to enter before the conductor and are responsible for initiating the orchestra’s tuning.
Coordinated bowing: Working with other section leaders, the concertmaster sets the bowing patterns for the strings to ensure a synchronized performance.
Occasional soloist: They play any violin solos featured in the orchestral repertoire.
Please note that certain preconcert events may cause crowds in the foyers before concert hall doors open.
Affluence dans les foyers
Prenez note que la tenue de certains événements préconcerts peut créer une plus grande affluence dans les foyers avant l’ouverture des portes de la salle.
Concert for ages 6 and up, to delight all generations.
To discover the Family concerts of the current season, click here!
The OSM: A rich history
In 1954, the Société des concerts symphoniques de Montréal was renamed the Orchestre symphonique de Montréal (OSM) —the name it proudly bears to this day.
Even vs. odd
If a concert features a guest pianist, the location of your seat will determine what you see. On the odd side, you will have a better view of their hands on the keyboard. From the even side, you can better appreciate their facial expressions.
The role of the orchestra conductor
In the early days of orchestras, the concertmaster—the principal violin—was responsible for signalling when to begin and end a piece, as ensembles were smaller. With the growth of orchestras and increasing musical complexity, a dedicated, non-playing conductor became necessary to guide the entire group. Today, conductors communicate with musicians through a refined system of gestures, both in rehearsals and during performances—a skill that demands countless hours of practice to perfect.
Some conductors are famous for pushing boundaries. Take the legendary American conductor Leonard Bernstein. In this video, you can see him conducting a Haydn movement using only his face!
Listening Clubs
Exclusive acitivity for OSM subscribers
Through listening and discussion, experts will guide you through the highlights of the repertoire from certain concerts. Check if this activity is available for the concert you're interested on the OSM website.
Immersive concert featuring music from your favorite movies and video games.
To discover the Immersive concerts of the current season, click here!
The hall has movable ceiling panels to change the room’s shape and sound, making it easy to adapt the acoustics to any event or musical style. For example, the reverberation levels can be adjusted to create an intimate atmosphere for a small concert, or a grand one for a symphony.
Budget
The hall is divided into six price categories based on seat popularity. You can filter seats by category to find one that fits your budget. Concerts are more affordable than you may think, with tickets available for as little as $30 in certain parts of the hall.
Venue
While most of the OSM’s concerts take place at the Maison symphonique de Montréal, the orchestra also performs at various venues, like the Salle Bourgie, the Olympic Park, local parks, and even on international tours.
With its prominent position in the hall, the Grand Orgue Pierre-Béique takes full advantage of the exceptional acoustics. This incredible instrument boasts 109 stops, 83 ranks, and 6,489 pipes to create its rich, powerful sound.
The OSM and Montreal sports
The OSM actively engages with Montreal’s sports community, participating in events and ceremonies throughout the city. This photo, taken on March 14, 1986, shows orchestra members enjoying a friendly game with players from the Montreal Expos, the city’s former baseball team.
Artists
Want to see Rafael Payare in action? Bear in mind that the performers vary from one concert to another. All artist information is provided on the concert page and in our online season brochure.
Various facts about the hall
- Capacity: 2100 people
- Stage can accommodate up to 120 musicians and a choir of 200 singers.
- All of the auditorium’s surfaces are paneled with beech wood from Quebec.
- The Grand Orgue Pierre-Béique is an integral part of the auditorium, with 6489 pipes.
Les seul·es à suivre un code vestimentaire sont les musicien·nes !
To ensure perfect acoustics, the hall is encased in a structural shell that insulates it from all outside noise and vibrations. Its pillars rest on cushions, and 175 sound-insulating pads line the hall.
Be receptive
To truly connect with the music, it is best to slow down, focus, and open yourself up. A great concert experience often begins before the first note, by taking the time to arrive calmly, turn off your phone, and take a deep breath. During the performance, you can close your eyes, focus on your body’s sensations, or simply sit still. The silence, the atmosphere of the hall, and the presence of others all contribute to this deep listening experience.
Now, with the same excerpt from the Symphonie fantastique, close your eyes and simply focus on the sensations the music creates within you.
The conductor
It used to be that orchestras were led by the concertmaster. But as orchestras grew and music became more complex, one person had to be solely responsible for guiding all the musicians. Today, the conductor is a non-playing musician who directs the orchestra with precise gestures that require a lot of practice.
Some conductors are famous for pushing boundaries. Take the legendary American conductor Leonard Bernstein. In this video, you can see him conducting a Haydn movement using only his face!
Lights dimmed
When the house lights dim, you will know the concert is about to begin. The musicians will stop warming up, and the stage lighting will shift to match the atmosphere of the performance, sometimes with a colourful glow.
Music and emotions
You will find that symphonic music can touch you in a powerful way, even without words. Whether or not you know the piece, you may feel immersed, calmed, or energized. Some parts might bring tears to your eyes, while others will make you smile or get your heart racing. There is no right or wrong way to feel the music; every reaction is valid.
What emotions does this excerpt from Berlioz’s Symphonie fantastique evoke in you?
The OSM: A rich history
In 1940, the Prix Archambault was established in honour of its patron, Edmond Archambault. This award later evolved into the OSM Competition, which remains the most prestigious national performance competition in Canada.
Close vs. far
Sitting close to the stage gives you a great view of the string musicians, soloists, and conductor. If you sit farther away, you will get a better overview of the entire orchestra. You can also choose seats on the upper levels (corbeille, mezzanine, balcony) for a clearer view of the whole stage.
70% of the hall’s surfaces are covered in beechwood, chosen for its excellent acoustic properties. The way the wood is polished is designed to control how the sound travels.
Mobility assistance
Adapted seating for wheelchair users is available at all our concerts. Some seats at the Maison symphonique are wider or feature extra front leg room. If you have any questions about accessibility, please feel free to contact us.By telephone: 514 840-7914 By email:
accessibilite@osm.ca
All potential noise sources in the building—like the heating systems, elevators, and even the restrooms—were specially designed to prevent sound propagation and ensure a quiet environment.
The musicians’ mastery
Each instrument requires specific gestures—like breathing, bowing, striking, or fingering—that affect the sound’s timbre, attack, and flexibility. This means you can hear the musicians’ technique just as much as you can see it. For instance, the slide of a trombone or the sharp snap of a double bass pizzicato are sounds created by masterful movements. When all these gestures come together, the entire orchestra moves as one.
Online
Purchase tickets directly on our website. Tip: You can use a filter to easily select seats in your desired price category.
Programmes de soutien
Sur présentation de la Carte accompagnement loisir (CAL) ou de la carte Acces2, vous bénéficiez des services suivants :- Une réduction de 20% sur le prix courant des billets
- Un billet gratuit pour votre accompagnatrice ou accompagnateur.
Sound quality
The Maison symphonique has exceptional acoustics, so distance from the stage has little effect on the volume of unamplified concerts. However, the sound may be slightly different for those seated in the choir section behind the musicians.
Bringing music to the CHU Sainte-Justine
Every holiday season, Rafael Payare visits the CHU Sainte-Justine with OSM musicians and staff to bring music and comfort to young patients, their families, and hospital staff. The halls come alive with music, and children receive small instruments to keep the joy going. This cherished tradition is made possible thanks to the warm welcome of the CHU Sainte-Justine team.
Happy Symphonic Hour
Looking for a more casual way to experience classical music? Come for Happy Symphonic Hour, a shorter concert format where you can grab a drink and relax. Each event features actor Philippe-Audrey Larrue-St-Jacques, who provides a lighthearted introduction to the music. It’s a fun way to explore classical music—perfect for anyone new to the OSM!
OSMose
Inclusion through music
This initiative aims to break down the invisible but very real barriers between the concert hall and special needs students by:
Introducing an educational project to foster an inclusive concert experience among students.
Offering schools and families a concert in a relaxed performance setting that is suitable for special-needs children.
Providing resources to guide the concert experience and to share information about the symphony orchestra.
Colourful and unexpected classical concert with dazzling program and artists.
To discover the Astonishing concerts of the current season, click here!
Let your imagination soar
For your first encounter with a symphonic orchestra, just let yourself be carried away. Without words, the music creates a space for your imagination to run wild. You can listen as you would look at a landscape or follow a story, picturing a movie scene, an emotion, or a memory. While some pieces tell a specific story and others are more abstract, all of them invite you to create your own inner images. Sometimes, a single melody is enough to transport you. The key is to let your imagination take the lead.
Using the same excerpt from the Symphonie fantastique, try to imagine images or a story while you listen to the music.
Experiencing the OSM for the first time
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Transcript
FR
Experiencing the OSM for the First Time
Interactive Guide for Beginners
Start
Introduction
Make your first concert unforgettable
Through this guide, explore the many sides of the Orchestre symphonique de Montréal and the rich world of symphonic music.
Start
Experience
OSM
What to do—and not do—during the concert.
During the concert
What to do when you arrive at the OSM before the concert begins.
How to choose your concert and access your tickets.
Choosing your concert
Arriving at the OSM
Discover what the OSM is all about.
Discover the OSM
Choosing your concert
With more than 80 concerts each year, the OSM offers something for everyone. Here are some key elements to consider when choosing a concert.
Repertoire
Duration
Artists
Venue
Schedule
Price
Your classics, your musical scale!
Whatever your interests, there is an OSM concert for you. Explore a diverse lineup that includes everything from the great classical repertoire to “Concerts éclatés,” as well as happy-hour and family-friendly performances.
Choosing your seat
Virtual tour
Budget
Even vs. odd
Sound quality
Close vs. far
Aisle seats
Choir section
Mobility assistance
Booking your tickets
There are several convenient ways to book your tickets.
Online
In person
Purchase confirmation
By phone
https://www.osm.ca/fr/accessibilite-et-services-adaptes/ Photo: OSMOSE
Your tickets
If you lose your ticket, simply contact our customer service team. We will send you a new one, which will be the only valid ticket for entry. Something came up? You can exchange your tickets for another concert during the current season. All you have to do is contact customer service at least 24 hours before your scheduled concert time. There is a $10 fee per ticket (plus taxes), but this fee is waived for subscribers and OSM Card holders.
When you arrive, please have your ticket ready with the barcode visible for our welcome staff to scan at the entrance.
OSM subscriptions
OSM subscribers get the best seats, the best prices, and a host of subscriber-only benefits!
Best price
Exclusive presales
As a subscriber, you will have access to exclusive presale periods.
Get 25% off each ticket when you buy 4 or more concerts.
Flexibility
35 and under
Choose 4 or more concerts and get our best rate of $26 per concert. This offer is available for seats in price categories 2 through 5.
You can exchange your tickets at no charge up to 24 hours before your concert.
Arriving at the OSM
You can access the Maison symphonique de Montréal through its main entrance located at 1600 Saint-Urbain Street. You can also enter through the main doors of Place des Arts (175 Sainte-Catherine Street), or directly from the Place des Arts metro station.
Your tickets
If you lose your ticket, simply contact our customer service team. We will send you a new one, which will be the only valid ticket for entry. Something came up? You can exchange your tickets for another concert during the current season. All you have to do is contact customer service at least 24 hours before your scheduled concert time. There is a $10 fee per ticket (plus taxes), but this fee is waived for subscribers and OSM Card holders.
When you arrive, please have your ticket ready with the barcode visible for our welcome staff to scan at the entrance.
Don’t worry about a dress code—that’s only for the musicians!
Dress code
Smart or casual? This is your concert night out, so dress in your own style, as it pleases you!
Coat check The Maison symphonique offers a coat check service from November through April. You can store personal belongings (coats, jackets, umbrellas, etc.) at a cost of $3 per person. For safety purposes, we can only allow bags in the concert hall that will easily fit under seats.
Foyers of the Maison symphonique
Upon your arrival at the OSM, you will be welcomed in the foyers on the 4 levels of the Maison symphonique (parterre, corbeille, mezzanine, and balcony).
Foyer doors generally open an hour before concerts begin. You can proceed to your seat only after concert hall doors open, 30 minutes before your concert begins.
Bars
Luxuriate in the ambiance of Maison symphonique’s bars located in the foyers at the Parterre, Corbeille, and Balcony levels. Enjoy a drink before your concert or during intermission! Our bars offer a selection of wines, cocktails, spirits, soft drinks, bottled water, juice, and coffee, as well as snack items. We recommend you arrive early, as it is not permitted to drink or eat inside the concert hall.
Discover the Symphonic Pilsner, the official beer of the OSM!
Tous les étages de la Maison symphonique, à l’exception de la Mezzanine, disposent d’une salle de toilettes accessible aux personnes en fauteuil roulant. Tous les lavabos et fontaines sont adaptés à l’usage des personnes en fauteuil roulant. Les toilettes des femmes sont situées du côté impair (ouest) et celles des hommes du côté pair (est) de la salle. À noter que la Maison symphonique n’est pas équipée de salles de toilettes individuelles ou non genrées.
Washrooms
All floors of the Maison symphonique except for the Mezzanine are furnished with wheelchair-accessible washrooms.
All sinks and fountains are adapted for wheelchair users.
Women’s washrooms are located on the odd numbered (west) side and men’s washrooms on the even numbered (east) side of the concert hall.
Please note that the Maison symphonique is not furnished with individual or gender-neutral bathrooms.
Éducation - Documents\09 Projets spéciaux\OSMOSE\Guide d'accès\Photos et pictos\Photos PY\23, 37
Lecteur d'écran
Accessibility
Discover our dedicated services, tailor-made to meet your specific needs.
Mobility assistance
Guide dogs
Support programs
Assistive hearing
Booster seats for children
https://www.osm.ca/fr/accessibilite-et-services-adaptes/ Photo: OSMOSE
Extra-concert activities
We offer a variety of pre-concert activities throughout the season to enrich and enhance your experience beyond the performance itself.
Listening Clubs
Talks
Symphonic Repertoire 101
Virtual reality
Before the music starts
Lights dimmed
Spoken welcome
Soloist and conductor’s entrance
Concertmaster’s entrance
Tuning
What about encores?
Photo Mélanie : R:\Multimédia\Saison 2024-2025\0001_Photos\2024-09-11_Concert Ouverture Gurre-Lieder©AntoineSaito\OS240911sel
Concert etiquette
For a truly immersive musical experience, please keep these concert guidelines in mind.
Cellphone use
Latecomers
Please refrain from taking photos or videos during the concert to avoid distracting those around you.
Love your phone?
If you arrive after the concert has begun, you may be asked to wait at the back of the hall until an usher can escort you to your seat at an appropriate moment.
Arriving late?
Noises
Exiting
The hall’s acoustics are excellent, which means even small sounds can be heard. Please do not talk or make noise during the performance.
Truly exceptional acoustics!
If you need to leave during the concert, please do so as discreetly as possible to avoid disturbing other audience members.
Need to step out during the concert?
Many senses will be engaged during the concert…
Making the most of your first concert
Observe
Attending a concert for the first time can seem intimidating. With so many instruments on stage and sounds overlapping, where do you even begin? By keeping these tips in mind, you will be well prepared to enjoy your first concert to the fullest.
Listen
Feel
Things to look for during the concert
The musicians
The Maison symphonique
The conductor
Things to listen for during the concert
The language of music
The musicians’ mastery
Melodies and solos
Things to feel during the concert
Music and emotions
Be receptive
Let your imagination soar
About the Maison symphonique
The OSM’s home is the Maison symphonique, which was inaugurated on September 7, 2011, with a concert conducted by Kent Nagano. The hall has several unique features that make it one of a kind.
Intermission and concert duration
Intermission
Some concerts include a 20-minute intermission. You can find out if a concert has an intermission by checking the concert program or its webpage.
Concert duration
OSM concerts generally last between 90 and 150 minutes. The estimated duration of each concert is listed on its online page and in the program.
Happy Symphonic Hour
R:\Multimédia\Saison 2024-2025\0001_Photos\2024-11-07_L’OSM aux couleurs de l’Amérique latine\L’OSM aux couleurs de l’Amérique latine_WEB concert apéro: R:\Multimédia\Saison 2024-2025\0001_Photos\2024-11-07_L’OSM aux couleurs de l’Amérique latine\L’OSM aux couleurs de l’Amérique latine_WEB
When to applaud
Don’t applaud while the conductor’s baton is still in the air. Wait for others to start applauding before you do. If you applaud by mistake, don’t worry—it happens! The performance will continue after the applause.
Pauses between movements are an important part of the music itself, so hold your applause until the very end of the work. To help you follow the movements of the different pieces, you can refer to the program notes.
Let your applause set the tone when the concertmaster and the conductor step onto the stage (usually separately).
Stage entrance
Between complete works
Pro tips
Once the concert is over
After the concert ends, you can expect a high volume of foot traffic in the foyers, stairways, and elevators. You are welcome to linger in the concert hall a few minutes afterwards if you wish to exit the premises in quieter, less crowded surroundings.
As part of our sustainability efforts, various collection bins are provided in which to dispose of your program booklet. The booklets are collected and redistributed to audiences of subsequent performances.
To learn more about the OSM
The mission, history, and role of the OSM in the community
The myths of classical music
The Maison symphonique and the Espace OSM
The OSM playlist
Follow us
The Maison symphonique
The Maison symphonique, home to the OSM, was inaugurated on September 7, 2011. The Orchestra, conducted by Kent Nagano, performed Beethoven’s Ninth Symphony, as well as works from Quebec. Since then, the hall’s exceptional acoustics have been acclaimed by the international music community, bringing pride to Montreal and attracting conductors and artists from all over the world.
Did you know?
The Espace OSM
Right next to the Maison symphonique, the Espace OSM hosts free events.
You will find exhibitions, interactive and digital projects, listening clubs, talks, and even a dedicated listening area. One wall of this space is also devoted to the OSM's journey, telling the story of the Orchestre symphonique de Montréal decade by decade.
Virtual reality
Concert myths: true or false?
Not necessarily. The “best” seat is a matter of personal preference. Some concertgoers like to be close to the stage, while others prefer the wider perspective from higher up.
False! The impact of live music speaks for itself. You may even be surprised at how many melodies you already recognize from films, television, video games, or popular songs.
Not at all. Symphonic music draws people from every walk of life, and the OSM’s audience reflects that diversity. Everyone is welcome—whether in evening wear or something more casual.
You need to know classical music to enjoy a concert.
The more expensive the ticket, the better the seat.
You need to dress up to attend a concert.
False! Classical music varies enormously from one era to another, and even among composers of the same period. There is something for every taste—just like in popular music.
False! While it can be relaxing, classical music was composed to stir emotions and captivate listeners, sometimes even pushing boundaries with daring and innovative ideas.
While many pieces were written centuries ago, composers around the world—including Canadians—continue to create new works today.
Classical music is just background music.
All classical music sounds the same.
Classical music is just old music.
The OSM’s mission
As a world-class artistic organization, the Orchestre symphonique de Montréal is dedicated to bringing the world’s symphonic repertoire and internationally acclaimed artists to the widest possible audience. True to our social and institutional role, we actively foster the development of symphonic and classical music in all its forms. With a spirit of professionalism, we are committed to innovation and excellence.
History of the OSM
The OSM’s excellence and vision have been fashioned over the years by its music directors: Montreal-born Wilfrid Pelletier, first Artistic Director; Zubin Mehta, with whom the OSM gave its first concerts in Europe; Kent Nagano, who inaugurated the Maison symphonique, launched La Virée classique and established La musique aux enfants; and since 2022, Rafael Payare, whose passion and determination led to the creation of the El Sistema OSM program in 2024. Here are some of the defining milestones from the orchestra’s first two decades:
1940
1954
1962
1934
1935
Concert program of the OSM’s first concert
The OSM in the community
The OSM is proud to engage with our community through bold, innovative collaborations with partners across the cultural, educational, and community sectors. Through our inclusive programming that fosters social integration, we invite all Quebecers to share in the excitement and energy of music. Here are a few examples—click on the photos to learn more!
Rafael Payare
OSM Musical Director
With his innate musicianship, charismatic energy, gift for communication, and irresistibly joyous spirit, Venezuelan conductor Rafael Payare is “electrifying in front of an orchestra” (Los Angeles Times). The 2024-25 season marks his third as Music Director of Canada’s Orchestre symphonique de Montréal (Montreal Symphony Orchestra/OSM) and his sixth as Music Director of California’s San Diego Symphony (SDS). Other current positions are Principal Conductor of Virginia’s Castleton Festival, a post he has held since 2015, and Conductor Laureate of Northern Ireland’s Ulster Orchestra, where he was Principal Conductor and Music Director from 2014 to 2019, making multiple appearances at London’s BBC Proms. Born in Barcelona, Venezuela, in 1980, Payare first discovered classical music at the age of 14, when he began playing horn in the El Sistema program. During the 2022–2023 season, he became the 9th Music Director in the history of the OSM.
Crédit Photo : Gabriel Fournier
Andrew Wan
Concertmaster
Andrew Wan studied with Masao Kawasaki and Ronald Copes at the Juilliard School. As a soloist, he has performed throughout the world under conductors including Vengerov, Petrenko, Labadie, Rizzi, Oundjian, Stern and DePreist.
Learn more about Andrew Wan
Joined the OSM in: 2008 Hometown: Edmonton Favourite composers: Schubert, Ravel Favourite works: Schubert’s piano trios If you hadn’t chosen to become a musician, you would be: A teacher or hockey blogger
Franz Schubert
Model of instrument
Bergonzi violin, 1744, generously loaned by philanthropist David B. Sela; Dominique Peccatte bow, 1860, generously loaned by Canimex.
Maurice Ravel
OSM playlist
Discover the OSM with this playlist inspired by our very first concert on January 14, 1935! For more playlists, check out our Spotify page.
Customer service
We’re here to help! If you have any questions or want to find out more about the OSM, please don’t hesitate to contact us.
Service in person
1600 Saint-Urbain Street Montréal (Québec) H2X 0S1
Open from Tuesday to Thursday (10H00 to 17H00), and also on concert days
Telephone: 514 842-9951 Toll-Free Number: 1 888 842-9951
Telephone service
info@osm.ca
Monday to Thursday: 10 am to 7 pm Friday: 10 am to 2 pm Saturday, Sunday and public holidays: closed
Follow us!
The Orchestre symphonique de Montréal has developed several virtual reality experiences, including Partitura! In this immersive virtual experience, discover the role of a conductor and explore the language of classical music — with a string orchestra made up of OSM musicians right in front of you.
Guide dogs
Certified guide and assistance dogs are welcome at our concerts. Just let us know when you make your purchase and we’ll recommend a seat with the right space.
Discover the Symphonic Pilsner, the beer inspired by the OSM that combines virtuosity and brewing expertise. Available at the bars of the Maison symphonique on concert nights.
Symphonic Repertoire 101
In this pre-concert format, you’re invited to better understand the various currents of classical music, including styles, forms, and composers from the symphonic repertoire.Check if this activity is available for the concert you're interested on the OSM website.
The OSM: A rich history
As early as November 1935, the OSM began engaging with children through the creation of Youth Matinees — an innovation for the time that was later adopted by the New York Philharmonic and remains a tradition at the OSM to this day.
The musicians
The musicians are grouped by instrument families—strings, woodwinds, brass, and percussion—and each section has a vital role in creating the overall sound. By observing them closely, you will notice their intense concentration, synchronized movements, and even knowing glances or smiles.
Through their expressions, body language, and breathing, the musicians communicate emotions and musical intentions to one another.
The OSM: A rich history
On November 16, 1934, Provincial Secretary of Quebec Athanase David announced the creation of the Société des concerts symphoniques de Montréal (CSM), an orchestra serving the province’s French-Canadian public.
Melodies and solos
The melody is the main tune you will likely be humming on the way home. Sometimes simple and lyrical, other times virtuosic, the melody might be carried by the violins, woodwinds, a solo trumpet, or even a subtle line on the English horn. Also, keep an ear out for the solos: these are special moments when one musician takes the spotlight. This is a great chance to focus on and appreciate the unique sound of a single instrument.
Ravel’s Boléro features one of the most famous melodies in all symphonic music. In this video, you can hear it played by the whole orchestra and supported by the rhythm section.
The octobass is the largest and lowest-pitched string instrument, so big that its notes are on the very edge of what the human ear can perceive. Standing 3.6 metres tall and weighing 290 pounds, it requires the musician to use a small step stool and a system of levers and pedals (or a keyboard, depending on the instrument) to play it. The OSM is the only orchestra in the world that owns three of these rare instruments.
Une chanson à l'école
Since 2021, the OSM has teamed up with Culture pour tous for the “Une chanson à l’école” project. To kick off the Journées de la culture each year, elementary and high school students from Quebec and French-speaking Canada join together to sing an original song specially composed by a renowned Francophone artist, accompanied by the OSM.
Every year, hundreds of thousands of young people unite their voices in song.
Aisle seats
Aisle seats give you a bit more space and make it quicker to leave the hall. However, some people prefer sitting in the middle of a row to avoid having to stand up and let others pass.
Occasionally, a speech or special host is featured at the beginning of certain concerts.
A large-scale masterpiece where the orchestral prowess will blow your mind.
To discover the Grandiose concerts of the current season, click here!
Booster seats for children
The coat check has a moderate supply of children’s booster seats that audiences can borrow free of charge in exchange for valid ID.
Schedule
Concert times vary. Most performances are in the evening, but some take place in the morning. We also offer a few afternoon concerts on select weekends.
El Sistema OSM
The El Sistema OSM program brings musical education to children and teens aged 6 to 16 in Montreal North. Run by the organization “La m20 usique aux enfants,” it offers free after-school sessions four days a week, giving students the chance to learn and play orchestral instruments together in a collaborative group setting.
Participants in the program have the opportunity to work directly with OSM Music Director Rafael Payare and the orchestra’s musicians. They also visit the Maison symphonique to attend dress rehearsals and take part in special OSM events.
Purchase confirmation
After your purchase, you will receive three emails:
Free grand concert at the Olympic Park’s Esplanade
Every summer since its first edition in 2012, the OSM has hosted a free concert at the Olympic Park’s Esplanade. These concerts are a wonderful tradition that draws thousands of spectators, filling an iconic Montreal landmark with the power of music.
What about encores?
In response to enthusiastic applause, the musicians may play an additional, unannounced work. This piece is not part of the program—it’s a bonus! Encores are usually performed when a guest soloist is featured.
Mobility assistance
Adapted seating for wheelchair users is available at all our concerts. Some seats at the Maison symphonique are wider or feature extra front leg room.
Lecteur d'écran
Choir section
For select performances, you can sit in the choir section, located behind and on the sides of the stage. This offers a slightly different experience, placing you behind the musicians for an up-close view of their performance.
The language of music
Music is always changing: it speeds up, slows down, gets loud or soft, and shifts from joyful to dramatic. These changes are what bring a piece to life. Try to listen for these shifts: when the orchestra begins to whisper, or when it explodes into a brilliant tutti. The tempo (speed), dynamics (variations in volume), and character (colour and emotion) of the music are all used by the conductor and musicians to tell a story without words.
Price
Ticket prices differ based on both your seating choice and the type of concert. For example, Happy Symphonic Hour concerts are typically less expensive than standard evening performances.
La Rencontre du siècle
On April 2, 2009, the OSM joined a grand celebration at the Bell Centre for the 100th anniversary of the Montreal Canadiens. We accompanied various artists throughout the evening and closed the show with a memorable performance of Beethoven’s “Ode to Joy,” alongside more than 1,000 choristers and 4 international soloists: Measha Brueggergosman, Susan Platts, Gordon Gietz, and John Relyea.
L'OSM offre également des récitals en pré-concerts! Profitez de moments musicaux d’exception en saisissant l’occasion d’écouter des instrumentistes de l’OSM et de la relève se produire dans des formats intimes de musique de chambre.
Tuning
The first oboe will play a concert A, and all the musicians will tune their instruments to that note. You will first hear the wind instruments tune, followed by the strings, in a process you will hear at every concert. It sounds something like this:
Espace Apéro
Profitez de notre Espace Apéro pour déguster un plateau de bouchées. Service offert avec ou sans réservation. La réservation est disponible par un formulaire présent dans les courriels reçus après l’achat et quelques jours avant le concert.
Repertoire
Classical music includes a broad array of styles and compositions. To make your choice easier, the OSM’s “musical scale” offers a visual representation of the orchestra’s concert styles (see next page).
Soloist and conductor’s entrance
The soloists (if any) and the conductor are the last to come onto the stage. Their entrance is met with applause and signals the start of the performance.
Timeless classic from the repertoire to stir the deepest emotions.
To discover the Poetic concerts of the current season, click here!
Concertmaster’s entrance
The first person to officially walk on stage is the concertmaster (principal violin), Andrew Wan, or his substitute, who is usually greeted with applause. For some performances, the concertmaster may already be on stage at the start of the concert for staging purposes.
Classical repertoire concert in a casual and quick 60-minute format.
To discover the Happy Hour concerts of the current season, click here!
Virtual reality
Immerse yourself in the world of classical music with virtual reality experiences. Explore the inner workings of classical music in an unprecedented way, helping you to demystify its language and experience the symphonic world from the inside.Check if this activity is available for the concert you're interested on the OSM website.
Spoken welcome
A voice-over will then welcome the audience and provide a few instructions. The message may vary from one concert to another, so it is best to listen carefully every time.
Unexpected pairings of your favorite popular artists and orchestral music.
To discover the POP concerts of the current season, click here!
By phone
Speak with a customer service representative who can assist you with your booking and answer any questions you may have.
Opening hours
Assistive hearing
To ensure a great listening experience for all, the Maison symphonique offers various hearing assistance options. Our welcome staff will be happy to help you get connected with the tools provided.
Please contact us for more information.By telephone: 514 840-7914 By email:
accessibilite@osm.ca
Concert with unique theme, surprises and a festive atmosphere.
To discover the Éclaté concerts of the current season, click here!
Duration
The OSM offers concerts in different formats and lengths, such as the shorter, more intimate Happy Symphonic Hour series. To help with your travel planning, the estimated duration of each performance is available on the concert’s dedicated webpage.
In person
Visit our box office. A customer service representative will be happy to answer your questions and can provide you with your physical tickets right away.
Opening hours
The OSM: A rich history
In May 1962, the OSM embarked on its first tour, marking the first European tour by a Canadian orchestra. The ensemble achieved resounding success with celebrated performances in Moscow, Leningrad (now Saint Petersburg), Kyiv, Vienna, and Paris, conducted by Zubin Mehta and Jacques Beaudry.
Talks
These pre-concert discussions demystify the world of classical music. Performers and professionals from the field offer insights into their work and share their perspectives on the many facets of classical music.Check if this activity is available for the concert you're interested on the OSM website.
The concertmaster
The concertmaster, or principal violinist, plays a pivotal role in the orchestra. Here are their main responsibilities:
Link to the conductor: They convey the conductor’s intentions to the string section to ensure the ensemble performs cohesively.
They are usually the last person to enter before the conductor and are responsible for initiating the orchestra’s tuning.
Coordinated bowing: Working with other section leaders, the concertmaster sets the bowing patterns for the strings to ensure a synchronized performance.
Occasional soloist: They play any violin solos featured in the orchestral repertoire.
Please note that certain preconcert events may cause crowds in the foyers before concert hall doors open.
Affluence dans les foyers
Prenez note que la tenue de certains événements préconcerts peut créer une plus grande affluence dans les foyers avant l’ouverture des portes de la salle.
Concert for ages 6 and up, to delight all generations.
To discover the Family concerts of the current season, click here!
The OSM: A rich history
In 1954, the Société des concerts symphoniques de Montréal was renamed the Orchestre symphonique de Montréal (OSM) —the name it proudly bears to this day.
Even vs. odd
If a concert features a guest pianist, the location of your seat will determine what you see. On the odd side, you will have a better view of their hands on the keyboard. From the even side, you can better appreciate their facial expressions.
The role of the orchestra conductor
In the early days of orchestras, the concertmaster—the principal violin—was responsible for signalling when to begin and end a piece, as ensembles were smaller. With the growth of orchestras and increasing musical complexity, a dedicated, non-playing conductor became necessary to guide the entire group. Today, conductors communicate with musicians through a refined system of gestures, both in rehearsals and during performances—a skill that demands countless hours of practice to perfect.
Some conductors are famous for pushing boundaries. Take the legendary American conductor Leonard Bernstein. In this video, you can see him conducting a Haydn movement using only his face!
Listening Clubs
Exclusive acitivity for OSM subscribers
Through listening and discussion, experts will guide you through the highlights of the repertoire from certain concerts. Check if this activity is available for the concert you're interested on the OSM website.
Immersive concert featuring music from your favorite movies and video games.
To discover the Immersive concerts of the current season, click here!
The hall has movable ceiling panels to change the room’s shape and sound, making it easy to adapt the acoustics to any event or musical style. For example, the reverberation levels can be adjusted to create an intimate atmosphere for a small concert, or a grand one for a symphony.
Budget
The hall is divided into six price categories based on seat popularity. You can filter seats by category to find one that fits your budget. Concerts are more affordable than you may think, with tickets available for as little as $30 in certain parts of the hall.
Venue
While most of the OSM’s concerts take place at the Maison symphonique de Montréal, the orchestra also performs at various venues, like the Salle Bourgie, the Olympic Park, local parks, and even on international tours.
With its prominent position in the hall, the Grand Orgue Pierre-Béique takes full advantage of the exceptional acoustics. This incredible instrument boasts 109 stops, 83 ranks, and 6,489 pipes to create its rich, powerful sound.
The OSM and Montreal sports
The OSM actively engages with Montreal’s sports community, participating in events and ceremonies throughout the city. This photo, taken on March 14, 1986, shows orchestra members enjoying a friendly game with players from the Montreal Expos, the city’s former baseball team.
Artists
Want to see Rafael Payare in action? Bear in mind that the performers vary from one concert to another. All artist information is provided on the concert page and in our online season brochure.
Various facts about the hall
Les seul·es à suivre un code vestimentaire sont les musicien·nes !
To ensure perfect acoustics, the hall is encased in a structural shell that insulates it from all outside noise and vibrations. Its pillars rest on cushions, and 175 sound-insulating pads line the hall.
Be receptive
To truly connect with the music, it is best to slow down, focus, and open yourself up. A great concert experience often begins before the first note, by taking the time to arrive calmly, turn off your phone, and take a deep breath. During the performance, you can close your eyes, focus on your body’s sensations, or simply sit still. The silence, the atmosphere of the hall, and the presence of others all contribute to this deep listening experience.
Now, with the same excerpt from the Symphonie fantastique, close your eyes and simply focus on the sensations the music creates within you.
The conductor
It used to be that orchestras were led by the concertmaster. But as orchestras grew and music became more complex, one person had to be solely responsible for guiding all the musicians. Today, the conductor is a non-playing musician who directs the orchestra with precise gestures that require a lot of practice.
Some conductors are famous for pushing boundaries. Take the legendary American conductor Leonard Bernstein. In this video, you can see him conducting a Haydn movement using only his face!
Lights dimmed
When the house lights dim, you will know the concert is about to begin. The musicians will stop warming up, and the stage lighting will shift to match the atmosphere of the performance, sometimes with a colourful glow.
Music and emotions
You will find that symphonic music can touch you in a powerful way, even without words. Whether or not you know the piece, you may feel immersed, calmed, or energized. Some parts might bring tears to your eyes, while others will make you smile or get your heart racing. There is no right or wrong way to feel the music; every reaction is valid.
What emotions does this excerpt from Berlioz’s Symphonie fantastique evoke in you?
The OSM: A rich history
In 1940, the Prix Archambault was established in honour of its patron, Edmond Archambault. This award later evolved into the OSM Competition, which remains the most prestigious national performance competition in Canada.
Close vs. far
Sitting close to the stage gives you a great view of the string musicians, soloists, and conductor. If you sit farther away, you will get a better overview of the entire orchestra. You can also choose seats on the upper levels (corbeille, mezzanine, balcony) for a clearer view of the whole stage.
70% of the hall’s surfaces are covered in beechwood, chosen for its excellent acoustic properties. The way the wood is polished is designed to control how the sound travels.
Mobility assistance
Adapted seating for wheelchair users is available at all our concerts. Some seats at the Maison symphonique are wider or feature extra front leg room. If you have any questions about accessibility, please feel free to contact us.By telephone: 514 840-7914 By email:
accessibilite@osm.ca
All potential noise sources in the building—like the heating systems, elevators, and even the restrooms—were specially designed to prevent sound propagation and ensure a quiet environment.
The musicians’ mastery
Each instrument requires specific gestures—like breathing, bowing, striking, or fingering—that affect the sound’s timbre, attack, and flexibility. This means you can hear the musicians’ technique just as much as you can see it. For instance, the slide of a trombone or the sharp snap of a double bass pizzicato are sounds created by masterful movements. When all these gestures come together, the entire orchestra moves as one.
Online
Purchase tickets directly on our website. Tip: You can use a filter to easily select seats in your desired price category.
Programmes de soutien
Sur présentation de la Carte accompagnement loisir (CAL) ou de la carte Acces2, vous bénéficiez des services suivants :- Une réduction de 20% sur le prix courant des billets
- Un billet gratuit pour votre accompagnatrice ou accompagnateur.
Sound quality
The Maison symphonique has exceptional acoustics, so distance from the stage has little effect on the volume of unamplified concerts. However, the sound may be slightly different for those seated in the choir section behind the musicians.
Bringing music to the CHU Sainte-Justine
Every holiday season, Rafael Payare visits the CHU Sainte-Justine with OSM musicians and staff to bring music and comfort to young patients, their families, and hospital staff. The halls come alive with music, and children receive small instruments to keep the joy going. This cherished tradition is made possible thanks to the warm welcome of the CHU Sainte-Justine team.
Happy Symphonic Hour
Looking for a more casual way to experience classical music? Come for Happy Symphonic Hour, a shorter concert format where you can grab a drink and relax. Each event features actor Philippe-Audrey Larrue-St-Jacques, who provides a lighthearted introduction to the music. It’s a fun way to explore classical music—perfect for anyone new to the OSM!
OSMose
Inclusion through music
This initiative aims to break down the invisible but very real barriers between the concert hall and special needs students by:
Introducing an educational project to foster an inclusive concert experience among students.
Offering schools and families a concert in a relaxed performance setting that is suitable for special-needs children.
Providing resources to guide the concert experience and to share information about the symphony orchestra.
Colourful and unexpected classical concert with dazzling program and artists.
To discover the Astonishing concerts of the current season, click here!
Let your imagination soar
For your first encounter with a symphonic orchestra, just let yourself be carried away. Without words, the music creates a space for your imagination to run wild. You can listen as you would look at a landscape or follow a story, picturing a movie scene, an emotion, or a memory. While some pieces tell a specific story and others are more abstract, all of them invite you to create your own inner images. Sometimes, a single melody is enough to transport you. The key is to let your imagination take the lead.
Using the same excerpt from the Symphonie fantastique, try to imagine images or a story while you listen to the music.