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[BJC Postcards] Artists' Profiles

Brain Juice Collective Pte Ltd

Created on December 19, 2024

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Transcript

Copyright @ Brain Juice Collective

Kayla Estrada

Creative Executive

Patchi Rafanan

Creative Executive

Mia Kyra Soriano

Design Manager

Isabel Weber

Senior Creative Specialist

THE STORY BEHIND

VIEW ARTWORK

Sunshine and Respite by Kayla Estrada

Tranquillity and hope are the feelings artist Kei, wants to define the future with. A future where every single person can experience pure peace in nature's simplicity and to be able to feel genuinely safe and enjoy the world for what it is. Her dreams for the future don’t come from a specific story but from observing society over the past years. “People are so comfortable with instantaneous things that the majority of services, items, etc. are demanded to be finished within a limited time frame. It's the feeling of constantly running to keep up with everything, both personally and professionally. Productivity is important, but when it's demanded at such an unreasonable degree for the sake of profit, it's harmful. Aside from that, if I were to delve into specifics, there's the ongoing struggle of Palestinians among other instances. This sense of tranquillity and capacity to enjoy the moment and what the world has to offer shouldn't be a luxury.” When asked what aspects of her idealised future resonate the most with her, she said: “Mostly peace, I suppose. Peace seems hard to come by these days.” Peace is a feeling that’s evident in her artwork. Instead of focusing on the idea of what it looks like to have a better world, she decided to dwell more on how it feels like to be in a better world. “I figured looks can almost always be deceiving so I wanted to highlight how a better world can affect an individual. I hope to evoke the feeling of peace and contentment—to be able to continue going forward after.” For her artwork, Kei illustrates the simplicity of nature and its peacefulness— the ability of being able to lie down and just breathe. An image to yearn for, to strive for - a future where people are prioritised over profit, treated as people and nothing less than that. “I think, overall, it needs to be a collective effort from many people. Becoming more mindful of how productivity is different for each person, and essentially just recognising people as people.”

the story behind the artwork

Growing up as a young creative, I often felt powerless. What could my love for art and drawing do for the betterment of my people? It was when I started working for a social impact design studio, Dapat Studio (Formerly Works of Heart Design Studio) in my early 20s that I learned illustration does have a role to play, that my ability to “paint a picture”, even though I don't paint haha, of our experiences, realities, hopes, and dreams lies an opportunity to document, to rally, to inspire, to get people to think and feel. This experience made me cognisant of and grateful for the power of illustration and the power to draw ‘hope’.” With this art piece, Bel wanted to illustrate the act of imagining. To her, imagining is the first step to creating a better, more liveable world - seeing it as something possible and knowing it is what we deserve. Despite the dire realities life throws our way, hope is something constant, something to hold on to and something to share. Hope is what inspires action. For her, a better future is rebuilt through shared hope and imagination. “I guess I've never shied away from both the good, beautiful, and the bad, ugly? But I'd like to think I've been pretty consistent in my wanting to evoke hope, wonder, and truth in my own ways. Maybe, if this future were realised, I'd feel less afraid for myself and the safety of my loved ones. Maybe I could breathe a little easier knowing that justice is alive and people are decent. I'd imagine that it'd be like a boulder running down a hill, it'd just keep growing in size and momentum. A big boulder of hope knocking down corrupt government officials and billionaires.” When looking at this piece, Bel wants you to dream, to imagine, to hope. “I want people to look at it and feel good. I want people to remember or imagine what a better future looked like to them. I want people to feel excited and empowered to hope, dream and imagine.”

Future Vision by Isabel Weber

“How would you describe your vision for a better future?” “One that looks to history as a guide to learn from; to not make the same mistakes.” Replies Bel Weber, “One where people (especially government officials + major decision-makers) are not driven by their greed but by their compassion for their community. A future that is more accessible and where marginalised groups like women, the LGBTQIA+, POC, and Indigenous peoples are safe and can thrive. One that puts the environment as a priority. One where people can feel empowered by their hopes and dreams, rather than burdened by them.” Finding herself getting overwhelmingly angry when thinking of the future because of the greed that’s running rampant. Something so common that you find yourself desensitising just to get through the day. Following that, feelings of grief and powerlessness enter the picture, because a better future can feel just out of reach, and sometimes almost impossible. But still, she perseveres. Hope still glimmers from those who care, dream, share, and put in concrete action. “As a Filipino, the injustices of our country have always been apparent (if not in our face), even as someone in a more privileged position.” She says, “With social media, it's even more bombarding.

THE STORY BEHIND

VIEW ARTWORK

Future Vision by Isabel Weber

“How would you describe your vision for a better future?”“One that looks to history as a guide to learn from; to not make the same mistakes.” Replies Bel Weber, “One where people aren’t driven by their greed but by their compassion for their community. A future that is more accessible and where marginalised groups like women, the LGBTQIA+, POC, and Indigenous peoples are safe and can thrive. One that puts the environment as a priority. One where people can feel empowered by their hopes and dreams, rather than burdened by them.” Despite finding herself getting ‘overwhelmingly angry’ when thinking of the future, she perseveres. In the shadows, hope still glimmers from those who care, those who dream, those who share, and those who put into action. “Growing up as a young creative, I often felt powerless. What could my love for art and drawing do for the betterment of my people? It was when I started working for a social impact design studio, Dapat Studio (Formerly Works of Heart Design Studio) in my early 20s that I learned illustration does have a role to play, that my ability to “paint a picture” of our experiences, realities, hopes, and dreams lies an opportunity to document, to rally, to inspire, to get people to think and feel. This experience made me cognisant of and grateful for the power of illustration and the power to draw ‘hope’.”“I want people to look at this piece and feel good. I want people to remember or imagine what a better future looked like to them. I want people to feel excited and empowered to hope, dream and imagine.”

THE STORY BEHIND

VIEW ARTWORK

Kaleidoscope by Patchi Rafanan

“I just want to remind people of the beauty that's out there in the world. If the appreciation is there, I hope it will compel them to make small meaningful choices towards preserving that beauty.” That’s what artist Patchi Rafanan wants to accomplish with her art. In the chaos this world always seems to be in, she dreams of a future that doesn’t compromise our planet’s biodiversity and ecosystem—a future where the natural and the man-made world can coexist without sacrificing either one. “We're already seeing more and more the very real effects of climate change. So my hope for the future is that our world can shift our way of living from harmful to sustainable. I hope we're not too late” This all started for her, at a very young age when she saw a documentary her parents were watching on the TV called An Inconvenient Truth. “There was a goofy Simpsons-style animated scene showing an exaggerated scenario about global warming…” she says, “I guess because it was a cartoon it was how the message got through to me but I thought that exaggeration was reality. I remember feeling very afraid after that and asking my mom if we had to leave the planet haha. This was the first time I learned about global warming! So that core memory is what I believe started my advocacy for climate action and sustainability.” In terms of this art piece, she’s integrated man-made elements, surrounded by greens and with some renewable energy elements like wind turbines and solar panels and sustainable transportation like a train going by- something she hopes to be more tangible reality in the global south. “I think this vision for a sustainable and ecologically diverse world is reflective of what I want to see for the Philippines. We're a country known for our natural wonders and I hope that as we use our natural resources in the name of urbanisation and progress, we don't forget about including these beautiful parts (and people) as part of our story.”

THE STORY BEHIND

VIEW ARTWORK

Skyward Sanctuary by Mia Kyra Soriano

“A better future for me is a world that can withstand, conquer and resolve socio-economic and environmental challenges with mindful, peaceful, sustainable and creative solutions. I see it as a community that thrives in harmony and peace, where humans seamlessly integrate technology with the cultivation and nurturing of meaningful connections, well-being, and the environment.” That adjective-filled description is what, artist, Mia dreams the future looks like. The feelings she dreams of for the future are safety, order and calmness. “I think being in an environment like this will empower any individual to feed their curiosity and discover new things without fear, judgement and constraint. A world like this opens new doors and opportunities to explore and tackle challenges with an open mind.”Growing up in a country where the term “resilience” is thrown around, Mia imagined a self-sustaining community that thrives in solitude. As seen in the floating civilised land with rich natural resources. She wanted to convey how a small and diverse group of people can continue to prosper with the help of innovative technology, specifically energy-efficient technology, making their small floating islands a little sanctuary for life and growth. ”I think living in a world where you don't have to endure so much hardship is what a better world should be. A society where each individual and business collectively makes an effort for the betterment of this pale blue dot in space.”“When people see my artwork, I want them to smile and think that it's a little paradise where they would want to be in right now. I hope it sparks a light in their eyes and reminds them that the future is up to us. Creating a sense of belonging and purpose for each individual is a great seed that connects us. That network of human connection will bridge us to understanding our behaviour and choices better and how they affect the world around us. To be a part of that effort is very meaningful to me. In a way, despite a small act, I think I get to change the world.”