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reflective presentation

Talisha Shanay

Created on November 6, 2024

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START

Creative REFLECTIVE PRESENTATION

Our 'a moment uncovered'

05

Research on Readings

04

Our Influences

03

Our Film Jam Reflection

02

A Creative Documentary

01

index

Sir Ken Robinson

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“Creativity depends on the interactions between feeling and thinking across different fields of ideas.” - K. Robinson, 2002

Creative documentaries use imaginative approaches to portray reality. They blend factual storytelling with artistic expression, presenting multiple perspectives.

WHAT IS A CREATIVE DOCUMENTARY

  • Good memory
  • Flexibility
  • Visualization
  • Positive attitude
  • Environment and Hierarchy
  • Collaborative creativity.

NOVEL + PURPOSE = CREATIVITY

DEFINING CREATIVITY

Creativity is the ability to produce work that is both novel and appropriate.” (Sternberg, 1999)

Change Together: Used pacing to evoke urgency and impact of rapid decisions. Creative treatment of actuality: Transforming raw footage through sound and visuals.

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Pacing reflects relentless training

Claressa Documentary

Film Jam Reflection

Split into two teams to work more effectively.

Group separation

We made sure to follow the creative process

The creative process

Michael Pitt: “A single room can be shot from a million angles in a million ways.

Collaboration

Each member's strengths contributed uniquely: directing, idea generation, and soundscape creation

STRENGTHS

OUR FILM JAM EXPERIENCE

We collectivly deceided on our roles and finalised our idea

Implementation

We decied that were going to how nature needs to be taken care of by the people and how your own actions can either have a positive or negative impact on nature as well as yourself and we use the initial idea of ‘mother nature’ to do this.

Verfication

We chose to take a food break to let our ideas sit

Incubation

Brainstorming all of our ideas on to a piece of paper,

Generation

We formulated the topic question in different ways such as “ how do we show nature without making it boring” , “how could we use a woman to represent mother nature" etc

Preparation

The creative process

Michael Pitt: “A single room can be shot from a million angles in a million ways.

Collaboration

Each member's strengths contributed uniquely: directing, idea generation, and soundscape creation

Strenghts

OUR FILM JAM EXPERIENCE

insert clip

Time Trail

Intense editing and sound to convey adrenaline and exhaustion

FAWLEY

Symbolic visual contrasts between nature and technology.

Analysing other documentaries

FAWLEY

TIME TRIAL

Documentary Storytelling: Creative Nonfiction on Screen 2008

Sheila Curran Bernard

The Shut Up and Shoot Documentary Guide: A Down & Dirty DV Production 2007

Anthony Q. Artis

Crafting Truth: Documentary Form and Meaning 2011

Louise Spence and Vinicius Navarro

Archival Storytelling: Using third-party visuals for cultural depth (Sheila Curran Bernard). Focus on Story rather than technical polish (Anthony Q. Artis). Crafting Truth: Subtle editing guides interpretation without overt direction. From Idea to Story: Clear intentions are foundational (Sheila Curran Bernard).

Theory and research in documentary readings

Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music 2008

Sheila Curran Bernard

Sheila Curran Bernard2008

"Using third-party visuals for cultural depth"

Anthony Q. Artis 2007

"Focus on Story rather than technical polish"

Louise Spence and Vinicius Navarro 2011

"Crafting Truth: Subtle editing guides interpretation without overt direction"

Sheila Curran Bernard 2008

"From Idea to Story: Clear intentions are foundational"

Visual/audio styles we may take inspiration from

How will we apply what we have leart to our next project?

BIRD WATCHING

CLARESSA

MR SUNSHINE

OUR 'A MOMENT UNCOVERED'

thanks