Oral Brevet

PRESENTATION

Oral

Comment la propagande a utilisé le cinéma pour la seconde guerre mondiale?

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Lou Gambet

3B

sommaire

La propagande et le role du cinéma

casablanca

conclusions

introduction

le triomphe de la volonté

sources

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closing

impacte du film

highlighted phrase

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La propagande et le role du cinéma pendant la guerre.

Objectifs:

• Influencer l'opinion publique .
• Se servir du cinéma comme un puissant outil de propagande (ex:le cinéma permet de toucher un large publique)

• Renforcer le moral des troupes.

• Déshumaniser l'ennemi.

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• Influencer l'opinion publique .
• Se servir du cinéma comme un puissantr outil de propagande (
• le cinéma permet de toucher un large public.

• Renforcer le moral des troupes.

• Déshumaniser l'ennemi.

Next

La propagande et le role du cinéma

• Influencer l'opinion publique .
• Se servir du cinéma comme un puissantr outil de propagande (
• le cinéma permet de toucher un large public.

• Renforcer le moral des troupes.

• Déshumaniser l'ennemi.

Introduction

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Casablanca

Le triomphe de la volonté

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• 1942
• Michael Curtiz

• 1935
• Léni Riefenstahl

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• 1942

Triomphe de la volonté

Le film "Triomphe de la volonté" a été un outil efficace pour renforcer le culte de la personnalité autour d'Hitler.

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Calmly and concisely. Summarize the content.

After plenty of practice. Improvisation works best when you’re prepared!

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adolf HITLER 1940

exemple

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Use videos!

KimJong-un 2020

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Casablanca

Le film "Casablanca" réalisé par Michael Curtiz est sorti en 1942, l'histoire se déroule pendant la seconde guerre mondiale.

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conclusion

Quelques images des filmes...

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show

Calmly and concisely. Summarize the content.

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Through a scheme, to tell everything in an orderly way.

show

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After practicing a lot. The best improvisation is the one that is worked on!

sources

- "le triomphe de la volonté",Leni Riefenstahl,1942 -"Casablanca",Michael Curtiz,1942 -Articles académiques sur la propagande cinématographique pendant la seconde guerre mondiale -Documents d'archives sur l'utilisation du cinéma par les régimes totalitaires et démocratiques

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