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Storia dell'arte: la rappresentazione della donna.

sara agugiaro

Created on April 10, 2024

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STORIA DELL'ARTE

LA RAPPRESENTAZIONE DELLA DONNA

Rinascimento (circa 1400 - 1600)

Antichità (circa 3000 a.C. - 500 d.C.)

Realismo (circa 1840 - 1900)

Rococò (circa 1730 - 1770)

Nel Rinascimento italiano, le donne sono soggetti di ritratti, sia come figure storiche che come bellezze ideali. Le opere d'arte riflettono spesso la bellezza e la grazia fisica delle donne, celebrando la forma femminile.

Le donne sono raffigurate come dee, regine e figure mitologiche nell'arte dell'antico Egitto, della Grecia e di Roma. Sono spesso associate a concetti di fertilità, bellezza e potere divino.

Nel realismo, le donne sono spesso ritratte in opere d'arte come soggetti della vita quotidiana, riflettendo la realtà delle condizioni delle donne nell'epoca, comprese le sfide e le ingiustizie che affrontavano

Nel rococò, le donne sono ritratte come figure delicate e raffinate, spesso immerse in ambientazioni idilliache e ornate. Le opere d'arte possono riflettere un'atmosfera di grazia e frivolezza.

Arte Contemporanea (dal 1900 ad oggi)

Neoclassicismo (circa 1750 - 1850)

Medioevo (circa 500 d.C. - 1400 d.C.):

Barocco (circa 1600 - 1750)

Nell'arte contemporanea, le rappresentazioni della donna sono estremamente variegate, riflettendo una vasta gamma di esperienze, punti di vista e identità femminili. Le artiste spesso esplorano questioni di genere, sessualità, corpo e potere attraverso una varietà di mezzi artistici.

Le rappresentazioni artistiche delle donne sono prevalentemente legate alla religione cristiana, con la figura della Vergine Maria dominante. Le donne sono spesso ritratte come madri devote e sante.

.Nel neoclassicismo, le donne sono ritratte in opere d'arte con riferimenti alla classicità greca e romana, spesso idealizzate come figure di nobiltà e purezza morale..

Nel periodo barocco, le donne sono spesso raffigurate in opere d'arte come soggetti di sensualità e dramma. Le rappresentazioni possono oscillare tra la devozione religiosa e il lussurioso decadentismo.

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Venere di Willendorf (ca 23.000-19.000 a.C.), roccia calcarea

Sconosciuto, Tre donne (1380), miniatura

Ritratto di giovane donna (dama dei gelsomini), Lorenzo di Credi 1460/1537. Presunto ritratto di Caterina Sforza. Forlì, Musei San Domenico, Pinacoteca civica.

La lettura di Moliere, 1728, 1937 (La lecture de Moliere, 1728, 1937) Jean François de Troy

Francois Boucher. Ritratto della Marchesa di Pompadour. 1759. Olio su tela. cm. 91X69. Londra Wallace Collection

David, Madame de Récamier, 1800

Jean-François Millet, Le spigolatrici, 1857. Olio su tela, 83,5 x 110 cm. Parigi, Musée d’Orsay.

Frida Kahlo, Le due Frida, 1939, Colore a olio