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AAVE PRESENTATION

tifaine ppngy

Created on November 25, 2023

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Transcript

AFRICAN AMERICAN VERNACULAR ENGLISH (AAVE)

Ella Mateos, Mariem Khiari, Tifaine Poupon

Start

index

01

Dialect Overview

05

Cultural Impact

06

02

Audio Extract

Conclusion

07

03

Bibliography

Lexical and Grammatical Features

04

Phonological Characteristics

01. Dialect Overview

Culturally

Geographically

Historically

- Has deep roots in the African American communities across the United States. - Emerged during the era of slavery when African languages and English varieties blended, creating a unique linguistic expression that has evolved over time.

- Holds immense cultural significance. It is a language of resistance, resilience, and identity. - Understanding AAVE is not just about language ; it's about the exploration of the cultural identity, creativity, and community bonds of African Americans

- The roots can be traced back to the forced migration of African people to America. - The language that emerged in the slave quarters reflected a fusion of African languages and English spoken by the white population. - Over the centuries, AAVE has continued to evolve, shaped by historical events, migration patterns, and cultural influences.

02. Audio Extract

“I been here a long time. But I'm from Cuba. Lot of black folks in Cuba, you wouldn't know that from being here, though. I was a wild little shorty, man, just like you. Running around with no shoes on when the moon was out. This one time... I run by this old... this old lady. I was running, hollerin'... cutting a fool, boy. This old lady, she stopped me. She said... "Running around, catching up all that light. In moonlight... black boys look blue. You blue. That's what I gon' call you. Blue." "So your name Blue?" "Nah. At some point you gotta decide for yourself who you gon' be. Can't let nobody make that decision for you.”

Moonlight | Decide for Yourself (2016)

Lorem Ipsum

03. Lexical and Grammatical Features

I. Lexical Features

II. Grammatical Features

Omission of the copula ‘be’ with ‘is’ and ‘are’

In front of a phrase showing location, a noun phrase, an adjective or the present progressive -ing

  • 'Ella is pretty.' --> 'Ella pretty.'
  • 'You are my type.' --> 'You ma type.'
  • 'They are dancing.' --> 'They dancin'.'

However, ‘is’ and ‘are’ should be pronounced at the end of sentences like ‘I hate how men are.’ or ‘It is what is is.’

Habitual 'be'

‘He be bossin’ me around.’ --> indicates a repeated process unlike ‘He bossin’ me around.’

Intensification markers 'stay' and 'steady'

‘Stay’ : an intensified habitual marker ‘Steady’ : an intensified continuous marker.

  • She stay eatin’ junk food.’ --> ‘stay’ marks the habit of the girl to eat junk food.
  • ‘I’m done with ya. You steady annoyin’ me.’ --> ‘steady’ isn’t necesseraly habitual but it goes over a long period of time.

Completive 'done'

Stressed Been

Either means that the action occured a long time ago or that the action has been continuing for a long time

Either intensifies an activity or shows an action has been completed and gives the feeling that the situations before and after are different

  • ‘You done talkin’ out loud.’
  • 'They BEEN married.' --> In this case, adding a phrase like 'for a long time' is ungrammatical

Lack of a subject-verb agreement in present tense

Most of the time, the use of -s in AAVE is for carrying emphasis.

Standard English has an agreement in a number of irregular and frequently used verbs such as 'has' and 'have', 'is' and 'are' and 'was' and 'were' but in AAVE these distinctions are not always made

  • She sleeps like a baby. --> She sleep like a baby.
  • They were so drunk last night. --> They was so drunk last night.

-s used a an emphasis in AAVE :

  • ‘I gots t’ go.’ --> contraction of ‘have got to’ like ‘gotta’ but it is more emphatic.

Future Contractions

Fixin’ to (= about to) --> Finna

Going to --> Gonna / Gon

I’m gonna --> I’ma

  • ‘He finna cry.’
  • ‘We gon to the cinema next week.’
  • ‘I’ma go shopping right now.’ --> indicates an immediate action

Negation

Follows the omission of the third person singular’s -s in the negative form and frequently expresses negation with ‘ain’t’ in present continuous, past and present perfect tenses.

  • Tifaine don’t like sushi.
  • Mariem ain’t skipping class.
  • Ella ain’t seen the Barbie movie.

Negative Inversion

Auxiliary verb is found in the negative form at the beginning of the sentence

  • ‘Nobody’s allowed to yawn during this presentation.’ --> ‘Ain’t nobody allowed to yawn during this presentation.’

ASS Constructions

To emphasize an adjective

  • 'This is a long-ass presentation.'

Together with a possessive to replace a pronoun

  • ‘Yo’ass gon empty the dishwasher.’ (You’re going to empty the dishwasher) --> urgency or warning

To replace ‘self’

  • 'Get yo’ass ready for Pride.'

04. Phonological Characteristics

I. Consonent

Metathesis

Sounds or letters are swapped in a word

  • Ask : GA : /æsk/ --> AAVE : /æks/
  • Wasp : GA : /wɑːsp/ --> AAVE : /wɑːps/

R-less

AAVE tends to be r-less at the end of words

  • Daughter : GA : /ˈdɑː.t̬ɚ/ --> AAVE : /ˈdɑː.t̬ə/
  • Door : GA : /dɔːr/ --> AAVE : /dɔː/
  • Your : GA : /jɚ/ --> AAVE : /jə/

Changes in 'th' sounds

Labialization of Interdental Fricatives

The interdental fricative [θ] replaced with the labiodental fricatives [f] and [v]

  • Teeth : GA : /tiːθ/ --> AAVE : /tiːf/
  • Thin : GA : /θɪn/ --> AAVE : /fɪn/
  • Brother : GA : /ˈbrʌð.ɚ/ --> AAVE : /ˈbrʌv.ə/

Interdental Voiceless Fricative stop

When preceded by a nasal consonant, [θ] can be replaced by [t]

  • Ninth : GA : /naɪnθ/ --> AAVE : /naːnt/
  • Warmth : GA : /wɔːrmθ/ --> AAVE : /wɔːrmt/

Interdental Fricatives Stop

Sometimes, [θ] becomes [t] or [t̬] and [ð] becomes [d] or [d̪]

  • This : GA : /ðɪs/ --> AAVE : /dɪs/
  • With : GA : /wɪð/ --> AAVE : /wɪt/

Final consonant cluster reduction

When a word ends with two consonants, the last one is dropped

  • Almost : GA : /ˈɑːl.moʊst/ --> AAVE : /ˈɑːl.moʊs/
  • Land : GA : /lænd/ --> AAVE : /læn/

Omission of initial consonant

Sometimes, initial consonants are dropped

  • ‘I don’t care’ --> ‘I ‘on care’

II. Stress

Some words have different stress patterns

  • Police : GA : /pəˈliːs/ --> AAVE : /ˈpəliːs/
  • Hotel : GA : /hoʊˈtel/ --> AAVE : /ˈhoʊtel/

III. Vowel

Monophthongization of /aɪ/

The diphthong /aɪ/ turns into the long vowel /aː/

  • Pride : GA : /praɪd/ --> AAVE : /praːd/
  • Like : GA : /laɪk/ --> AAVE : /laːk/

Monophthongization of /aʊ/

The diphthong /aʊ/ turns into the short vowel /a/

  • Down : GA: /daʊn/ --> AAVE : /dan/
  • House : GA : /haʊs/ --> AAVE : /has/

Merger before Nasals

Before final-syllabic nasals, /ɪ / and /e/ merge to /ɪ /

  • Pen : GA : /pen/ --> AAVE : /pɪn/ (The words 'pin' and 'pen' become homonymous in AAVE.
  • Again : GA : /əˈɡen/ --> AAVE : /əˈɡɪn/

05. CULTURAL IMPACT

I. Music

A centerpiece of self-expression and creativity

  • Jazz & Blues

The blues, rather than being a hybrid of European aesthetic forms, constitute an expressive matrix that reflects the complexities of African American culture.(Plum, 1993, p. 561)

  • Rap

A musical form that makes use of rhyme, rhythmic speech, and street vernacular, which is recited or loosely chanted over a musical soundtrack.(Keyes, 2004, p.1)

It is generally believed that jazz developed from a fusion of West African, black Creole and Euro-American cultures.(Conyers, 2001, p. 55)

II. BETWEEN CULTURAL APPROPRIATION AND APPRECIATION

HISTORICAL REMEMBRANCE AND ACKNOWLEDGMENT IS A NECESSITY !

  • Decontextualization and dilutation of the heritage and cultural significance
  • Inequality of accreditation
  • Social prestige in certain contexts, situations and areas --> Instrumentalization of the variety for personal advantages
  • Branding and marketing strategies
  • Notion of the aesthetic
  • AAVE appropriated into memes
  • AAVE mistakenly reduced and associated to “Gen-Z slang”

AAVE is NOT an internet slang

III. “Broken english”, “white talking” : AAVE in Academia / Job Sectors

CODE SWITCHING

  • Stereotypes / misconceptions around AAVE : deemed as “broken english”
  • There is no dialect or variety more correct than another !
  • Seen as “uneducated” and “informal” in professional / academic arenas.
  • “ungrammatical” DOES NOT equal “uncorrect”

Switch mode of communication to adapt / adjust to the setting : a necessary tool for survival in professional spaces

Might stir up internalized racial discrimination

WHITE TALKING

strategy of linguistic profiling

Alternate dialects and “smoothen out” accents for more job opportunities

“ Instead of changing the way we speak, maybe we should change the way we listen.”

CONCLUSION

Thanks for listening !!

07. Bibliography

- Insider, 2018, Is "Talking White" Actually A Thing?, YouTube.

- Langfocus, 2020, AAVE - African American Vernacular English, YouTube.

-Storied, 2021, What People Get Wrong About African-American English | Otherwords, YouTube.

- Cara Judkins, May 27th 2020, AAVE: The “Other” American English Variety, Medium.

- Arianna Peoples, 2023, AAVE: Dismantling Standard American English (Part 1), San José State University.

- Macy Alcido, Maria McCallen and Kamini Ramdeen-Chowdhury, February 11th 2022, How ‘Blaccents’ Appropriate Black Culture — And Why They’ve Flown Under the Radar for Decades, theSkimm.

- Jack Sidnel, African American Vernacular English (Ebonics), University of Hawaii.

- Babbel USA, 2021, AAVE Explained: A Dialect That Transcends Internet Culture, Youtube.

- Erik R. Thomas, 2007, Phonological and Phonetic Characteristics of African American Vernacular English, North Carolina State University.