What are some essential skills this career requires? DOSSIER

Stage Director

Who is a stage director and what is their job?

Every person imagines a director in his own way. For someone, this is a person who creates good stories, for someone, a person who forces people to do what he wants and only in his vision, and some do not even think about the existence of such a person as a director when they watch a play. Well, let's figure out who the director is...

Index

What does an avarage workday look like?

What are some essential skills this career requires?

What does this person do?

What is the compensation for this career?

How many hours do they put in the project?

How do they find the jobs they get?

Who do they work closely with on production or progect?

Who are are some prominent indevidiuals in this career?

What education did they get?

What will help you to be in this career?

Cited page

Interview quastions

What does this person do?

The stage director is the person who organizes and controls the entire process of creating a play. He organizes all the people involved in the created plays so that everything is perfect.He is the one who brings stories to life.

What essential skills this career requires?

The director's work requires many different skills. He must be good at communicating with people, as he must organize people. He must have good leadership qualities, as the people involved in the plays must follow him and respect him. In general, he must understand all branches of creativity, music, acting, sound and light.

What does an avarage day look like?

In fact, there is no exact schedule of a director’s day, as everything is always different. Looking at which play, which part of the play is currently being rehearsed,or creating.But looking at what we have learned from books and various videos, you can imagine a director’s day like this: He or she comes to the place of rehearsals , reads the script (even if he has already read it many times, new ideas may come each time), meets with the main people of various aspects of the play, costume designer, composer, lighting manager, etc. and discusses the moments that interest them.

What does an avarage day look like?

During the day, hey add new moments, try out the technique and sound. Every day, the director has to make sure that everything is going as he sees it, but at the same time he can take into account the opinion of other people working on the play.

How many hours do they put in the project?

There is no exact answer to this question, as well as to most questions related to the work of a stage director. There is no exact schedule for how long a director should work, in most cases they themselves control how much time to devote to work, although of course they have a time by which the play should be ready. But someone wants to work and think about the play all the time, even at night, and someone has their own schedule.

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How do they find the jobs they get?

There are many ways for a director to find a job and they are different, someone looks for a job on ordinary job search sites, someone directs their personally written play, so they automatically get a job. And someone who is already famous can directly receive invitations from producers or authors of plays to work as a director one or another play.

What is the compansation for this career?

Unlike professionals who receive a yearly salary, theater directors are paid only per production and only for their rehearsal period, which varies by location. For example, a Broadway director's salary is calculated through the typical rehearsal period, which lasts from six to eight weeks.

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who do they work closely with on project or production?

The stage director is the person who, one way or another, has to work with all the branches involved in the play, so they work equally with the production and the project.

What education did they get?

There is no clear career path for stage directors. Individuals need experience in theater, which they may gain by working as assistant directors. Others began their careers as actors, actresses, stage managers or even playwrights. Stage directors must be creative people with a vision.But some kno from childhood that they want to combine their life with directing and go to study at yhe university for this profession.

What will help you to be in this career?

What do you need?

It's vital that directors possess the ability to think critically and analytically about a text, and the passion and conviction to pursue their interpretations. It's the director's job to answer the difficult question of “why”: why stage this show here, now, with these actors and for this audience.

Of course, this is education, knowledge of techniques and varieties of theater. Also, you as a person should be ambitious, be able to convey your opinion to people and know how the theater works inside.

Who are some prominent individuals in this career?

Trevor Nunn

Multi-award-winning British theatre director who succeeded Peter Hall to become artistic director of the Royal Shakespeare Company at just 28 years of age, a position he held for 18 years (1968-1986). He later headed the National Theatre from 1997 to 2003. Nunn was also a very successful director of non-subsidised theatre including the West End premieres of Cats (1981), Startlight Express (1984) and Les Miserables (1985). In 1980, Nunn adapted Charles Dickens’ comic novel The Life and Adventures of Nicholas Nickleby into a nine-hour stage extravaganza. To this day, it remains one of the most successful productions in the history of the Royal Shakespeare Company.

Robert Wilson (1940-)

Who are some prominent individuals in this career?

Perhaps best known for his collaboration with composer Philip Glass on the five-hour opera Einstein on the Beach, Robert Wilson is a master of experimental theatre. He is also a designer, performer and writer known for directing the twelve-hour-long Life and Times of Joseph Stalin (1976), Death, Destruction and Detroit (1979) and the Civil warS (1983), a play unanimously selected for the Pulitzer Prize for Drama only to be overturned by the supervisory board. Wilson’s experimental form pushes the boundaries of theatre, often presenting long pieces over many hours, with slow and precise performer movement, expressionless dialogue and stunning use of light and visual design.

Robert LePage (1957-)

Who are some individuals in this career?

In 1985 LePage became artistic director of Théâtre Repère in Quebec, Canada, and later headed the National Arts Centre in Ottawa (1989). Usually writing and directing his own work (and sometimes acting in them himself), LePage is renowned for seamlessly incorporating new technologies into the theatre medium. In 1994 he founded the theatre company Ex Machina, which to this day performs works experimenting with the collision of light, music and multimedia. Influential LePage productions include Needles and Opium (1991) and The Seven Streams of the River Ota (1994). LePage has also experimented with interpretations of Shakespeare including A Midsummer Night’s Dream (1992) set in a mudbath.

If we collect all the information we have received, in one thing we will get that the stage director is the person who takes responsibility for the success of the play, when the actors represent the heroes of the play, the director represents the play itself.

Interview questions:

1) How difficult is it to choose an actor for this or that role? What factors do you rely on when making this decision?2) What difficulties did you have to face when you first started your journey as a director? 3) How difficult is it to organize people while working on a play? What to do when there is a misunderstanding in the team? 4)What do you do when the process of creating a play does not go according to plan? Is it difficult to find your way quickly? 5)Have you had moments of creative crisis? If so, how did you get out of it?

Cited page:https://thedramateacher.com/20-best-directors-of-the-modern-theatre/

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