CULTURE RELATIVISM IN AESTHETIC
Paradoxes and Ironies
Created on May 4, 2023
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art & anthropology-Cultural relativism
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9. Batok, The Art of The Tattoo
8. 1880's French Fashion
7. Fashion and Clothing Through the Decades
6. Aesthetic Relativism in Pop Culture
5. The Art of Pleasure in Hindu Culture and Religion
4. Culture, Beauty, and The Female Body
3. Cultural Relativism in Aesthetic
2. Cultural Relativism & Historical Particularism
1. Cultural Relativism
Table of contents
what is anthropology?
Anthropology is the study of human societies and cultures and their development.
cultural relativism
Jean Jacques Rousseau
"Man is born free, and he is everywhere in chains"
what was the book all about?
In his book "Social Contract", Rousseau argued that man were freer in the state of savagery, acting only on their instinct while the development of civilization had actually led to a decrease in happiness. The book also suggest that in order to attain freedom, man should live in a state that is as close to nature as possible.
Social Contract 1895
theoryon the origin ofsociety(social contract 1895)
ethnocentrism
civilization (people in communities)-Culture-tradition-law-custom-convention
savagery (people against one another)
judgement of moralityperception and concept of beauty
society
state of nature
social philosophy
By living with his wife and family, man discovers love and thus develops the ideas of beauty and merit, giving rise to competition, as well as vanity, contempt, shame and envy. “With love arose jealousy; discord triumphed, and human blood was sacrificed to the gentlest of all passions.”
It seems that primitive men “having no moral relations or determinate obligations … could not be either good or bad, virtuous or vicious” (Rousseau, 20071: 113)
texts from the book
cultural relativism &HIstorical particularism
CULTURAL RELATIVISM & HISTORICAL PARTICULARISM
Franz Boas
"If I were to select the most intelligent, imaginative, energetic, and emotionally stable third of mankind, all races would be present."
what was the book all about?
Franz Boas reviewed the the initial Anthropology and Moden Life 1929 book that was used widely by conventional Anthropologists, he argued that the "Comparative Method" is limited and mostly ethnocentric.
Anthropology and Modern Life by Franz Boas 1858-1952
The view that cultural differences are of minor importance is baseless. The differences between cultures are of major anthropological significance.
Similar traits may have developed for very different purpose in differing cultures.
The existence like traits in different cultures in not as important as the comparative school claims.
It is impossible to account for similarity in all the types of culture by claiming that they are so because of the unity of the human mind.
the 4 limitations of the comparative method
cultural relativism inaesthetic
CULTURAL RELATIVISM IN AESTHETIC
"Beauty is in the culturally conditioned eye of the beholder"
PERCEPTION(Conception of BEAUTY)
CULTURE(People in Society)
CULTURE, BEAUTY, AND THE FEMALE BODY
cultural standard of the beauty of women
Beauty in Mauritania (West Africa) is held to the, “big is beautiful and stretch marks are sexy” standard. There, obesity is viewed as a sign of wealth and status. Girls are encouraged from a young age to gain weight in order to fulfill their culture's perception of beauty.
MAURITANIAN WOMEN
CULTURE, BEAUTY, AND THE FEMALE BODY
Mursi women from Suri People (Africa) are famous for their wooden lip plates – a symbol of beauty and identity. A girl's lower lip is cut (sometimes by her mother) when she reaches 15 or 16, and held open by a sodden plug until it heals. It's up to the girls how far they want the lip to be stretched.
MURSI WOMEN
CULTURE, BEAUTY, AND THE FEMALE BODY
The Padaung women of Myanmar were famous for stretching their necks—by means of coiled brass neck rings—to a length of about 15 inches (38 cm), pushing down the collarbone, compressing the rib cage, and pulling up about four thoracic vertebrae into the neck.
PADAUNG WOMEN
CULTURE, BEAUTY, AND THE FEMALE BODY
footbinding, a cultural practice, existing in China from the 10th century until the establishment of the Peoples Republic of China in 1949, that involved tightly bandaging the feet of women to alter their shape for aesthetic purposes.
FOOT BINDING (CHINA)
CULTURE, BEAUTY, AND THE FEMALE BODY
Tā moko for men and women. Moko kauae - are received by women on their lips and chin. A moko kauae represents a woman's whānau and leadership within her community, recognising her whakapapa, status, and abilities.
NEW ZEALAND'S LIP TATTOO CULTURE
CULTURE, BEAUTY, AND THE FEMALE BODY
WEH?
TIIS GANDA?
modern lotus feet
THE ART OF PLEASUREINHINDU CULTURE AND RELIGION
-DHARMA Duty in family and society-ARTHA Accumulation of Wealth and Riches-KAMA Experience of Pleasure-MOKSHA Spiritual Release
-SAMSARA Law of Reincarnation -KARMA Law of Cause and Effect
FOUR GOALS OF LIFE
TWO LAWS OF LIFE
CULTURAL RELATIVISM IN AESTHETIC
BASIC CONCEPTS IN HINDU LIFE AND RELIGION
CULTURAL RELATIVISM IN AESTHETIC
BASIC CONCEPTS IN HINDU LIFE AND RELIGION
CULTURAL RELATIVISM IN AESTHETIC
BASIC CONCEPTS IN HINDU LIFE AND RELIGION
what was the book all about?
The Kama Sutra was written in ancient Sanskrit in India, dated to 400 BCE–200 CE and attributed to an Indian philosopher, Vatsyayana. In Sanskrit, sutra literally means “thread” but also refers to a “text.” Kama variously means “desire, pleasure, love, or sex” and is the name of the god of erotic love.
KAMA SUTRA 400 BCE- 200 CE(Book of Sex)
Fullfills men experience of pleasure, therefore helping them to attain Spiritual Release (MOKSHA)
ANEKAPARIGRAHA(Sacred Prostitute)
Geisha, also known as geiko or geigi, are a class of female Japanese performing artists and entertainers trained in traditional Japanese performing arts styles, such as dance, music and singing, as well as being proficient conversationalists and hosts. Oiran is a collective term for the highest-ranking courtesans in Japanese history, who were considered to be above common prostitutes for their more refined entertainment skills and training in the traditional arts.
GEISHA/OIRAN
what was the book all about?
The Pillow Book is a book of observations and musings recorded by Sei Shōnagon during her time as court lady to Empress Consort Teishi during the 990s and early 1000s in Heian-period Japan. The book was completed in the year 1002.
THE PILLOW BOOK (1001)
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HENTAI means PERVERT
Hentai are Japanese images or cartoons showing sexual activities
HENTAI
aEsthetic relativisminpop culture
TREND , Fashion, fad, The "in" thingBaduy,Bokya, Jologs, ConyoPassing, temporary and recyclingconventional concept of beauty
CULTURAL RELATIVISM IN THE AESTHETICS OF POPULAR CULTURE
Shaving the Eyebrows was the fashion of feminine beauty during the Renaissance
Where's the Eyebrows ?
CULTURAL RELATIVISM IN THE AESTHETICS OF POPULAR CULTURE
CULTURAL RELATIVISM IN THE AESTHETICS OF POPULAR CULTURE
42BLeonardo Ginebrad'Benci
CULTURAL RELATIVISM IN THE AESTHETICS OF POPULAR CULTURE
MODERN STANDARDArmoloso Girl with a basket of mango (1956)
CULTURAL RELATIVISM IN THE AESTHETICS OF POPULAR CULTURE
EYEBROWS OF THE MODERN WOMEN
Fashion and clothingthrough the decades
The 10 Biggest Trends of 2015 -Chelsea Boots Took Over. -Sportswear is Alive and Well. -Hender Scheme Led the Natural Leather Wave. -Fabrics Were Washed and Washed Some More. -Sneakers Went All-White. -Denim Was Torn to Shreds. -Pin Badge Invasion. -Grime Went Global.
2015
The 10 Biggest Trends of 2010-Jeffrey Campbell Lita Shoes. Before there was the Chelsea boot, every self-proclaimed Tumblr girl of the early 2010s owned a pair of Jeffrey Campbell Lita heels.-Bandage Dresses.-Flower Crowns.-Gucci Loafers.-Millennial Pink.-Vinyl Shoes.-Butt-Ripped Jeans.
2010
The 10 Biggest Trends of 2000-Cargo Pants.-Tiny-Strap Sandals.-Baguette Bags.-Baggy Jeans.-Bucket Hats.-Baby Tanks and Tees-Wedge Mules.-Lime Green. Photo
2000
1990
1980
1970
1960
1880's French fashion
1880's FRENCH FASHION
1880's FRENCH FASHION
1880's FRENCH FASHION
1880's FRENCH FASHION
1880's FRENCH FASHION
CASUAL FILIPINA
FASHION OF CLOTHING OF THE PHILIPPINES DURING THE SPANISH PERIODDamian Domingo's water color painting showing Filipinos in native clothing
PHILIPPINE OLD FASHION
ILLUSTRADO CLASS
FASHION OF CLOTHING OF THE PHILIPPINES DURING THE SPANISH PERIODDamian Domingo's water color painting showing Filipinos in native clothing
PHILIPPINE OLD FASHION
STREET VENDOR
FASHION OF CLOTHING OF THE PHILIPPINES DURING THE SPANISH PERIODDamian Domingo's water color painting showing Filipinos in native clothing
PHILIPPINE OLD FASHION
TAHO VENDOR
FASHION OF CLOTHING OF THE PHILIPPINES DURING THE SPANISH PERIODDamian Domingo's water color painting showing Filipinos in native clothing
PHILIPPINE OLD FASHION
FISH VENDOR
FASHION OF CLOTHING OF THE PHILIPPINES DURING THE SPANISH PERIODDamian Domingo's water color painting showing Filipinos in native clothing
PHILIPPINE OLD FASHION
A NATIVE LABORER
FASHION OF CLOTHING OF THE PHILIPPINES DURING THE SPANISH PERIODDamian Domingo's water color painting showing Filipinos in native clothing
PHILIPPINE OLD FASHION
BATOK: THE ART OF THE TATTOO
Pintados was the term used by Spanish colonists to describe the tattooed indigenous Visayan people. They were found on the islands of Cebu, Bohol, Eastern part o Negros, Samar, Leyte and in the Visayan region. The word itself means “painted” and was first used during the Spanish colonization of the Philippines.-The natives put tattoos which are believed to enhance bodily beauty.-Bodily marking were signs of status, beauty, family and pride. They signify acts of combat, courage and strength. The more tattooed a warrior is, the more he is revered
THE PINTADOS
APO WANG UDMAMBABATOK fromMountain Province
TATTOO IN POPULAR CULTURE
DAVE BATISTAFilipino-American wrestler, Actor
PINTADOS FESTIVAL
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art & anthropology-Cultural relativism