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GROUP VI - EDSA 1 REVOLUTION (1986-1995)
V.A Valino, Nicole Ella, Maraño
Created on September 18, 2022
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GROUP VI
EDSA 1 REVOLUTION (1986-1995)
S T A R T
GROUP MEMBERS
Kyla Villareal
Nicole Ella M. Valino
Rosemarie Soriano
Zerubbabel Diaz
EDSA 1 REVOLUTION
GROUP VI
“LET'S GO!!!”
VIDEO PRESENTATION
EDSA PERIOD
1986
EDSA PERIOD 1986
SEPTEMBER 21, 1972 when Ferdinand Marcos signed the proclamation number 1081 he placed the Philippines undermartial law.
FEBRARUARY 22-25 1986 - The EDSA Revolution happened.
EDSA PERIOD 1986
FEB 22 - More than 2 million Filipinos march on EDSA, Epifanio de los Santos Avenue (EDSA), the main artery of Metro Manila.FEB 23 – When Archbishop Jaime Cardinal Sin persuade the public to support the rise of expulsive-tumitiwalag Soldiers FEB 24 – Ferdinand Marcos threatened to attack, but there are still many people who uphold against his administration FEB 25 - Last hours of dictatorship of Ferdinand Marcos AND THE INAGURATION OF THE NEW PRESIDENT Cory Aquino
NOW THE YEAR 1987 - is the beginning of a new scene in the unfolding narrative of contemporary Philippine Literature for FilipinoWriters and Artist When President Marcos placed the Philippine under martial law, initiating a regime or the political system, that did not only suppress /cut off abolish the writer’s right to free expression but also created conditions that made collaboration and cooperation convenient choices for artists struggling for recognition and survival. Writing under the Martial law Regime was characterized militancy- Violence/aggressiveness and belligerence- warlike behavior even when it showed up in the legal press. Especially after the assassination of Ninoy Aquino in 1983, the temper of poetry and theater derived much of its heat and direction from the political culture of the underground national democratic movement. However, when the enemy were overthrown Ferdinand Marcos in 1986, the literary activity showed a certain disorientation manifesting itself in a proliferation of concerns taken up by individual writers and groups.
POST-EDSA LITERATURE
01. Academic institutions where Creative Writing is a part of the curricular offerings. 02. Writers’ organizations that periodically sponsor symposia on writer and/or set up workshops for its members and other interested parties. Symposia - a conference or meeting to discuss a particular subject through these Academic institutions, Writers’ organizations get to hear about new developments in writing, and derive enthusiasm for their crafts.
POST-EDSA LITERATURE
03. Campus publications are another group of outlet that is of importance as a source of nontraditional, experimental writing. These campus publications could either be a weekly student newspapers, quarterly magazines, or annual literary journals 04. Non-governmental organizations have helped hand in hand with some institutions in giving recognition to writers from specific sectors in the society. These NGO's includes the Amado V. Hernandez Foundation; the GAPAS foundation, and the KAIBIGAN.
POST-EDSA LITERATURE
05. Overall, the character of the Philippine literary scene after EDSA may be pinpointed be referring to the theories that inform literary production, to the products issuing from the publishers, to the dominant concerns demonstrated by the writers output, and to the direction towards which literary studies are tending. 06. Columnists became vocal and unrestricted , Columnists- is a person who writes for publication in a series, creating an article that usually offers commentary and opinions. Columns appear in newspapers, magazines and other publications, including blogs. They take the form of a short essay by a specific writer who offers a personal point of view.
WRITERS ORGANIZATIONS
Creative Writing Centers maybe group into two Academic Institution (Universities that offers creative writing as part of their curriculum) Silliman University University of the Philippines Ateneo de Manila University De La Salle University University of Santo Tomas San Carlos University Writer’s Organization- (Creative Writing Groups that offers symposium/ Workshops) - UMPIL ( Unyon ng mga Manunulat ng Pilipino ) - PANULAT ( Pambansang Unyon ng mga Manunulat ) - Panday Lipi - GAT ( Galian sa Arte ) - Katha - LIRA ( Linangan sa Imahe, Retorika at Anyo ) - GUMIL ( Gunglo Dagiti Manunurat nga Ilokano ) - LUDABI ( Lubas sa Dagang Bisaya ) - PEN ( Pen, Essay, Novel )
CHARACTERISTERICS OF POST-EDSA LITERATURE
01. There is in the academe an emerging critical orientation that draws its concerns and insights from literary theorizing current in England and the United States 02. Post-EDSA publishing has been marked by adventurousness, a willingness to gamble on "nontraditional" projects. 03. Gay and Lesbian writings also started to emerged as a response to re-frame traditional assumptions.
CHARACTERISTERICS OF POST-EDSA LITERATURE
04. The declining/ bumababa prestige/influence of the New Criticism, whose rigorous/ strict aesthetic norms has previously functioned as a Procrustean bed on which Filipino authors and their works were measured, has opened a gap in the critical evaluation of literary works 05. The fourth and final characteristic of post-EDSA writing is the development thrust towards the retrieval and the recuperation of writing in Philippine languages other than Tagalog
AMOUS AUTHORS
AND THEIR NOTABLE WORKS
Lilia Quindoza Santiago
- Born in Manaoag, Pangasinan to Victorino Quindozo and Buena Cadanilla
- A writer and an editor
- Her work focuses on feminism in the lives of the indigenous people, the Ilocanos, and other ethno-linguistic groups in the Philippines
Charlson L. Ong
- Multi-awarded fictionist who has received, among others: a Palanca award for his short story, The Trouble in Beijing; a second-place Philippine Centennial Literary Prize for his novel, An Embarrassment of Riches; and several National Book Awards for his works acrossthe years
- Currently teaches literature and creative writing at the University of The Philippines’ Department of English and Comparative Literature.
Jose Dalisay, Jr.
- A writer whose expertise is cover upon fiction, poetry, drama, nonfiction and screenplay
- Has authored more than 20 books since 1984 wherein six of those have garnered National Books Award from the Manila Critics Circle
- Made it to the Cultural Center of the Philippines (CCP) Centennial Honors List as one of the 100 most accomplished Filipino artists of the century
Ricardo Lee
- A fictionist, journalist, and a playwight; a giant in Philippine Cinema
- Has written more than 150 film scripts since 1973, earning him more than 50 trophies from various award-giving bodies, including a 2003 Natatanging Gawad Urian Lifetime Achievement Award from the Manunuri ng Pelikulang Filipino
- Has worked with the best Filipino directors and many of his films have been screened in the international film festival circuit in Cannes, Toronto, and Berlin, among others
Danton R. Remoto
- A Filipino writer, essayist, reporter, editor, columnist, and professor and was a first prize recipient at the ASEAN Letter-Writing Contest for Young People
- He chairman emeritus of Ang Ladlad, a lesbian, gay, bisexual, and transgender (LGBT) political party in the Philippines
- A professor and teaches English and Journalism at the Ateneo de Manila University
Marjorie Evasco
- An award- winning Filipino poet that writes in two languages: English and Cebuano-Visayan
- A supporter of women's rights, especially of women writers, and is one of the earliest Filipina feminist poets
- a founding member of two organizations espousing the cause of women writers: Writers Involved in Creating Cultural Alternatives (WICCA) and Women in Literary Arts (WILA)
Ruth Elynia S. Mabanglo
- A poet, playwright, journalist and a retired professor at the University of Hawaii at Manoa advocating for Filipino language
- Was the coordinator for the Department of Hawaiian and Indo-Pacific Languages, as well as the Filipino and Philippine Literature Program
- Has been publishing poetry for over 30 years and has received numerous literary awards and honors
ITERARY PIECES
THE VERY LAST STORY OF HULI BY LILIA QUINDOZA SANTIAGO
Summary : This article is about the life of Huli after she survived the sexual exploitation from Padre Camorra. After jumping out of the dormitory window, she dwelled around in search for food and shelter. As she was roaming around, she happened to pass by a group of men who were drinking. These men then raped her, leaving her an emotional trauma she would carry on for life. She had the chance to seek help from an investigator but unfortunately, she was also raped by the investigator. She later on met Tinyong who took her in. Thinking that this man is a good hearted person, she went with him only to experience sexual exploitation again but Huli survived after she managed to kill Tinyong in fear for her life. After a long time of suffering, her sanity escaped her consciousness and was sent to the mental hospital. The story of how she came to be a bum and how she lost sanity became the talk of town.
What is the relationship of the story “ the very last story of Huli” in EDSA?
What is the relationship of the story “ the very last story of Huli” in EDSA?
- The short story (the very last story of Huli) portrays or symbolizes the Filipino people and the problem hey encounter during those time. The story portrays how human rights violation and power are being over used and being practiced incorrectly.
THE EXECUTION BY CHARLSON ONG
THE EXECUTION BY CHARLSON ONG
- Talks about freedom and justice during the martial law
THE EXECUTION BY CHARLSON ONG
- Talks about freedom and justice during the martial law
AMONG THE DISSEAPERED BY RICARDO LEE
THE EXECUTION BY CHARLSON ONG
- Talks about freedom and justice during the martial law
AMONG THE DISSEAPERED BY RICARDO LEE
- A story about a boy named Jun-jun, son of a “tibak” UP slang for “aktibista”. His father is one of those who fights against martial law. His father was then captured and was never seen again. While his mother goes hiding in the mountains, he was sent other people to care of
GEYLUV BY HONORIO DE DIOS
Geyluv or Gay love in English touches sensitive socio-political issues that are far beyond literature.
GEYLUV BY HONORIO DE DIOS
Geyluv or Gay love in English touches sensitive socio-political issues that are far beyond literature.
- Mike was first known by Benjie in a party of media companies. Then they had a project in Zambales; then two became close to each other. Benjie is a kind of "bitchy-bitchy gay", because he does not want to get hurt again. This is also the reason why he was afraid to have commitment to any other guy, again. By the time Mike and Benjie are really close, Mike and Carmie just separated recently. Once in a while they drink, they watch movies and just eat together outside, after office hours. One time, while in the bar, Benjie told Mike that he loves him. They did not talk about all night after that. They decided to live together in the same house (Benjie's apartment) to better understand what they really want to happen with their relationship.
Thank you!