Jeanne Pirault
PORTFOLIO
THE GOTHIC Spirit-turning reality into a fearful world
index
document 2
document 1
Document 3
DOCUMENT 4
DOCUMENT 5
AN ENCOUNTER WITH DRACULA
On 8 August 1890, Stoker walked down to what was known as the Coffee House End of the Quay and
entered the public library. It was there that he found a book published in 1820, recording the experiences of
a British consul in Bucharest, William Wilkinson, in the principalities of Wallachia and Moldavia (now in
Romania). Wilkinson’s history mentioned a 15th-century prince called Vlad Tepes who was said to have
impaled his enemies on wooden stakes. He was known as Dracula – the ‘son of the dragon’. (...) Stoker made a
note of this name, along with the date.
(...) So, although Stoker was to spend six more years on his novel before it was published, researching the
landscapes and customs of Transylvania, the name of his villain and some of the novel’s most dramatic scenes
were inspired by his holiday in Whitby. The innocent tourists, the picturesque harbour, the abbey ruins, the
windswept churchyard and the salty tales he heard from Whitby seafarers all became ingredients in the
novel.
document 1
how dracula came to whitby
The lower part of the castle was hollowed into several intricate cloisters; and it was not easy for one under so much anxiety to find the door that opened into the cavern. An awful silence reigned throughout those subterraneous regions, except now and then some blasts of wind that shook the doors she had passed, and which, grating on the rusty hinges, were re-echoed through that long labyrinth of darkness. Every murmur struck her with new terror; yet more she dreaded to hear the wrathful voice of Manfred urging his domestics to pursue her.
She trod as softly as impatience would give her leave, yet frequently stopped and listened to hear if she was followed. In one of those moments she thought she heard a sigh. She shuddered, and recoiled a few paces. In a moment she thought she heard the step of some person. Her blood curdled; she concluded it was Manfred. Every suggestion that horror could inspire rushed into her mind. She condemned her rash flight, which had thus exposed her to his rage in a place where her cries were not likely to draw anybody to her assistance. Yet the sound seemed not to come from behind. If Manfred knew where she was, he must have followed her. She was still in one of the cloisters, and the steps she had heard were too distinct to proceed from the way she had come. Cheered with this reflection, and hoping to find a friend in whoever was not the Prince, she was going to advance, when a door that stood ajar, at some distance to the left, was opened gently: but ere her lamp, which she held up, could discover who opened it, the person retreated precipitately on seeing the light.
Isabella, whom every incident was sufficient to dismay, hesitated whether she should proceed. Her dread of Manfred soon outweighed every other terror. The very circumstance of the person avoiding her gave her a sort of courage. It could only be, she thought, some domestic belonging to the castle. Her gentleness had never raised her an enemy, and conscious innocence made her hope that, unless sent by the Prince’s order to seek her, his servants would rather assist than prevent her flight.
Document 2
The castle of otranto from horace walpole
document 3
The nightmare by henri fuseli
document 4
Corpse bride by tim burton
portfolio gothic spirit
PIRAULT Jeanne
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Transcript
Jeanne Pirault
PORTFOLIO
THE GOTHIC Spirit-turning reality into a fearful world
index
document 2
document 1
Document 3
DOCUMENT 4
DOCUMENT 5
AN ENCOUNTER WITH DRACULA On 8 August 1890, Stoker walked down to what was known as the Coffee House End of the Quay and entered the public library. It was there that he found a book published in 1820, recording the experiences of a British consul in Bucharest, William Wilkinson, in the principalities of Wallachia and Moldavia (now in Romania). Wilkinson’s history mentioned a 15th-century prince called Vlad Tepes who was said to have impaled his enemies on wooden stakes. He was known as Dracula – the ‘son of the dragon’. (...) Stoker made a note of this name, along with the date. (...) So, although Stoker was to spend six more years on his novel before it was published, researching the landscapes and customs of Transylvania, the name of his villain and some of the novel’s most dramatic scenes were inspired by his holiday in Whitby. The innocent tourists, the picturesque harbour, the abbey ruins, the windswept churchyard and the salty tales he heard from Whitby seafarers all became ingredients in the novel.
document 1
how dracula came to whitby
The lower part of the castle was hollowed into several intricate cloisters; and it was not easy for one under so much anxiety to find the door that opened into the cavern. An awful silence reigned throughout those subterraneous regions, except now and then some blasts of wind that shook the doors she had passed, and which, grating on the rusty hinges, were re-echoed through that long labyrinth of darkness. Every murmur struck her with new terror; yet more she dreaded to hear the wrathful voice of Manfred urging his domestics to pursue her. She trod as softly as impatience would give her leave, yet frequently stopped and listened to hear if she was followed. In one of those moments she thought she heard a sigh. She shuddered, and recoiled a few paces. In a moment she thought she heard the step of some person. Her blood curdled; she concluded it was Manfred. Every suggestion that horror could inspire rushed into her mind. She condemned her rash flight, which had thus exposed her to his rage in a place where her cries were not likely to draw anybody to her assistance. Yet the sound seemed not to come from behind. If Manfred knew where she was, he must have followed her. She was still in one of the cloisters, and the steps she had heard were too distinct to proceed from the way she had come. Cheered with this reflection, and hoping to find a friend in whoever was not the Prince, she was going to advance, when a door that stood ajar, at some distance to the left, was opened gently: but ere her lamp, which she held up, could discover who opened it, the person retreated precipitately on seeing the light. Isabella, whom every incident was sufficient to dismay, hesitated whether she should proceed. Her dread of Manfred soon outweighed every other terror. The very circumstance of the person avoiding her gave her a sort of courage. It could only be, she thought, some domestic belonging to the castle. Her gentleness had never raised her an enemy, and conscious innocence made her hope that, unless sent by the Prince’s order to seek her, his servants would rather assist than prevent her flight.
Document 2
The castle of otranto from horace walpole
document 3
The nightmare by henri fuseli
document 4
Corpse bride by tim burton